[1483] For a reconstruction of the various phases of the armed-race from vase-paintings, see J. H. S., l. c., p. 279, fig. 9.
[1484] See Gardiner, p. 291 and J. H. S., l. c., pp. 284 f. Perhaps this is the explanation of a kylix in Berlin (no. 4039), reproduced by Furtwaengler in Samml. Sabouroff, I, Pl. LIII.
[1485] E. g., on a r.-f. kylix in Munich (no. 1240); J. H. S., l. c., p. 284, fig. 11; Gardiner, p. 292, fig. 59. This painting represents a palæstra scene, as is shown by the sponges on the wall.
[1486] 291.
[1487] H. N., XXXV, 71.
[1488] I, 23.9. In 1838 the inscribed base of this statue was found, the inscription being: Ἐπι[χ]αρῖνος [ἀνέ]θηκεν ὁ ... Κριτίος καὶ Νης[ι]ώτης ἐπο[ιησ]άτην: C. I. A., I, 376; Loewy, I. G. B., 39. This shows that Pausanias got his information about the pose from the statue itself and not from the inscription. It also gives us the right spelling of the artist’s name.
[1489] First published, long after it had passed from the possession of Herr Tux to the University Collection, by Gruneisen in Schorn’s Kunstblatt, 1835, pp. 21 f., and separately the same year. See also Hauser in Jb., II, 1887, pp. 95–107; L. Schwabe, Jb., I, 1886, pp. 163 f., Pl. IX (= three views); de Ridder, B. C. H., XXI, 1897, pp. 211 f. (reviewed in A. J. A., II, 1898, pp. 268 f.); Collignon, I, p. 305, fig. 152; Bulle, no. 89 (two views); Springer-Michaelis, p. 217, fig. 403a; Brunn, Griech. Kunstgesch., 1893, II, p. 249 f.; F. W., 90; Rouse, p. 174, n. 1; Reinach, Rép., II, 2, 543, 5.
[1490] Bulle, no. 86.
[1491] Jh. oest. arch. Inst., V, 1902, pp. 165–70 and Pl. IV (three views). It was probably made in Campania. It is 0.07 meter high.
[1492] M. D., 1097; Clarac, 830, 2085.