[2249] Only one other victor from Phigalia is known, Narykidas, who won πάλῃ some time in the first half of the fourth century B. C., as the mutilated epigram and artist’s name found upon fragments of the pedestal of his statue at Olympia attest, a date out of the question for our statue: see Inschr. v. Ol., no. 161: cf. P., VI, 6, 1; Foerster, no. 324.
[2250] P., VI, 15.8; Hyde, 148; Foerster, 61, 62.
[2251] P., I, 28.1; cf. for the date, Foerster, no. 55. See infra, p. 362.
[2252] P., III, 13.9; Foerster, nos. 86–90. See infra, p. 362.
[2253] P., VI, 3.8; Hyde, 29; Foerster, 6.
[2254] P., VI, 13.2; it was accordingly set up about Ols. 77–8 ( = 472–468 B. C.): see Hyde, no. 111, and cf. p. 48; Foerster, 39, 41–46. See infra, p. 362.
[2255] The god was so described in the Homeric Hymn to the Delian Apollo, v. 134, and that to the Pythian Apollo, v. 272. On the grounds of long hair and nudity G. Koerte identified the example from Orchomenos: see his article, Die Antiken Skulpturen aus Boeotien, A. M., III, 1878, pp. 305 f.
[2256] So Vitet, Gaz. B.-A., XII, 1862, p. 29.
[2257] See list in Deonna, Les Apollons archaïques, p. 13, n. 1.
[2258] E. g., on an amphora from Vienne: see Annali, XXI, 1849, Pl. D., and pp. 159 f.; on another from Nola, now in the British Museum: B. M. Vases, III, p. 230, E 336; cf. also ibid., E 313; on a wall-painting from Pompeii: A. Z., XL, 1882, p. 58; on a marble bas-relief in the Palazzo Corsini in Florence: Duetschke, II, p. 114, no. 283. These examples represent the god only.