[2269] Ibid., no. 203 (= Naukratis, II, Pl. XIV, fig. 13).
[2270] See A. M., IV, 1879, p. 304.
[2271] See Rapporto d’un viaggio nella Grecia nel 1860, in Annali, XXXIII, 1861, p. 80.
[2272] J. H. S., I, 1880, pp. 168 f., already quoted. For the monument of Dermys and Kitylos, see Gaz. Arch., 1878, Pl. 29; A. M., III, 1878, Pl. XIV; F. W., 44.
[2273] On the subject of hair on “Apollo” statues, see Overbeck, Griech. Kunstmythol., III, Apollon, p. 14 (cf. note f); and cf. Milchhoefer, A. Z., XXXIX, 1881, p. 54, who discards this feature as a criterion.
[2274] For examples, see Deonna, Les Apollons archaïques, p. 12, n. 4 and n. 5.
[2275] Cf. the colossal bearded statue of Dionysos found in the quarries on Naxos (Komiaki), described by Deonna, p. 221. In a preceding note (p. 334, n. 4) we have already listed examples of the type of Apollo appearing on vases, etc.; see B. M. Sculpt., I, p. 82.
[2276] The date of these sculptors is fixed by that of their pupil, the Aeginetan Kallon, who lived at the beginning of the fifth century B. C.; cf. Akropolis inscription, I. G. B., no. 27. This statue is mentioned by P., IX, 35. 3, as holding the Graces in one hand. Plutarch, who cites Antikles and Istros as his authorities, gives a better description of it in de Musica, 14; he says that it held the bow in the right hand and the Graces playing on musical instruments in the left. A scholion on Pindar, Ol., XIV, 16, Boeckh, p. 293, mentions such an image of Apollo in Delphi, manifestly a copy of the Delian one. Both the scholiast and Macrobius, Saturnalia, 1, 17. 13, place the bow in the left hand and the Graces in the right, an arrangement confirmed by Athenian coins which are copied from the replica of the statue in Athens (Bekker, Anecdota gr., I, p. 299, ll. 8–9). Frazer, V, p. 174, figs. 8–9, reproduces two of these coins.
[2277] This image, known as the Philesian Apollo, already discussed on pp. 118f., is described by Pliny, H. H., XXXIV, 75. It was made between 494 and 479 B. C.: see Frazer, IV, pp. 429–30. It is copied on Milesian coins, which represent the god nude, holding a stag in the right hand and a bow in the left: see Overbeck, Griech. Mythol., III, Apollon, Muenztafel I, 22 f. P., IX, 10.2, mentions a cedar replica of the statue in Thebes. In the British Museum is a bronze, the so-called Payne Knight statuette, a copy of the one on the coins; it is reproduced by Frazer, l. c., p. 430, fig. 45 (= B. M. Bronzes, no. 209); Frazer mentions as other copies a statuette in Berlin, described in A. Z., XXXVII, 1879, pp. 84–91, and one from the Ptoian sanctuary, described in B. C. H., X, 1886, pp. 190–6, and Pl. IX. On Milesian reliefs, see one published by Kekulé von Stradonitz, Ueber d. Apoll. des Kanachos, Sitzb. Berl. Akad. d. Wiss., 1904, I, fig. on p. 787, and p. 797, and another by Th. Wiegand, Siebenter vorlaeufiger Bericht ueber Ausgrabungen in Milet und Didyma (Abh. Berl. Akad. d. Wiss., Philosoph.-histor. Cl., 1911), p. 21.
[2278] Mentioned by P., X, 24. 5, and Philochoros, in F. H. G., I, fragm. 22 on p. 387. Imperial Delphic coins from the time of Hadrian on represent the god nude with outstretched arms; such coin-types may be copies of this statue; cf. Frazer, V, p. 352.