The important question as to what relations exist between the number, quality and greatness of individual endowments and genius on the one side, and the character of a people on the other, is still unexplored and very obscure, although we possess a science which calls itself by the quite unjustified name of national psychology.
While on one side we have rarely made any serious study of national characteristics, but have confused them with achievements of culture and habits of life that mostly proceeded from a thin upper stratum alone, on the other we have as a rule tacitly set down individual endowment (with a strong emphasis on our own) as illustrations of national character. In this respect, too, we showed that laxity in proving what we wanted to prove which abounds everywhere from the point where calculation with things weighable and measurable leaves off, and judgment begins. We think it an established fact—in accordance with just this arbitrary test of genius—that genius belongs par excellence to the so-called blonde blue-eyed races of the earth. The fact that among the score or two of geniuses of all ages who have been determining forces in the world it is hardly possible to find a single example of this blue-blonde race, but they can be proved to have been almost all dark, did not affect the question. On the other hand the English, whose influence on culture has been surpassed by none, had their genius-forming power, in which they are actually deficient, seriously over-estimated. It was the reverse with the Jews. The fact that in spite of their small numbers they have produced more of world-moving genius than all other nations put together, and that from them has proceeded the whole transcendental ethics of the Western world, has not prevented their being pronounced wholly incapable of creative endowment.
We shall put aside all this rubbish and for the present decline to go into theoretic questions. Great individual endowments are related to national character—to the character of the mind, not that of the will, which must be considered apart—as the blossom to the plant or the crystal to the mother-solution; to determine the one from the other needs something more than a mechanical generalization. There is no such thing as a "race of thinkers and poets." This, however, we can say: that a people which begets great musicians, poets and philosophers is one which devotes itself to moods and to visions, while another, as for instance the Latin group, which creates forms and standards, is one that at the cost of mood and vision, incarnates its sense of will.
Devotion, receptivity, the feeling for Nature, comprehension, the passion for truth, meditative depth, spiritual love, are the fairest gifts that can be granted to any people, and to us they have been granted. But they exclude other gifts, which stand to-day in high repute, and which we affect in vain. They exclude the capacity for shaping forms and standards, the aptitude for rule, if not even for self-government; in any case the qualities which go to the creation of nationalities and civilizations.
It is no mere accident that in not one of the hundredfold provinces of life, from art to military organization, from State-craft to jointstock-companies, from saintliness to table-utensils, have we Germans discovered a single essential and enduring form. And again, there is scarcely one of these forms which we have not filled with a richer and more living content than those who first discovered it.
For whoever bears the All within himself can be satisfied with no form; he finds in himself at once vision and reality, thesis and antithesis. He seeks for a synthesis, but all form is one-sided. He conceives, chooses, comprehends, fulfils, breaks in pieces and throws away. He remains a unity in constant change, like the year as it proceeds day by day, hour by hour, and no two of them alike. He does not force things—out of respect for creation.
But he who makes forms must use force. He makes himself the standard and comprehends himself only. Everything else, everything that is extra-normal, unconformable, unintelligible and not understood remains for him something alien, trivial, inferior, or negligible. The maker of forms can rule, even by compulsion, without being a tyrant, for he is convinced of the value of what he brings and knows no doubts. He is ruthless, yet only up to a certain limit, which is determined by his sense of the inferiority of the other. The man who rejects forms, however, cannot rule; the very penetration into the domain of another seems to him a wrong to his own, the basis of which is recognition and allowance. If he is forced to penetrate, he loses all balance, for in wrong-doing he understands no gradations. Similarly he is incapable of civilizing, for he cannot take forms seriously; he violates them himself—how can he impose them upon others? In his inmost soul he is naïve, for creation is seething in him; but in execution he is conscious, critical, eclectic and methodical, in order that he may be completely master of the one-sided element into which he has forced himself. The man of forms, however, is, in his soul, rigid and conscious, but in action naïve, because he does not know the meaning of doubt.
Forms grow up like natural products in the course of centuries. They assume the existence of uniformity in individuals, fathers reproduced in sons with scarcely a variation. Egypt, Rome, and that modern land of antiquity, France, are examples. For generations France has been content with three architectural styles, which are really one and the same style. The changes in the language are hardly perceptible. The principal domestic utensils are almost the same as they were a hundred years ago, fashion is merely a vibration. Foreign living languages are little studied, their spirit is not understood, the pronunciation remains French. Foreign countries are looked on as a kind of menagerie; everything is measured by the native standard. Every one is a judge of everything, for he holds fast to the norm. Within the norm the French are keenly sensitive, their feeling for relations is very sure; the slightest deviation is observed. To doubt the validity of the norm is out of question; one might as well criticize the sun and moon as the style of Louis Quatorze.
The final judgment of the British in the affairs of life is "this is English," "that is not English." Foreign lands are a subject of geographical and ethnological study. The whole mighty will of a nation is here concentrated in the form of civilizing political energy. Every private inclination is a fad, and even fads have their fixed forms. An offence against table-manners is banned like an attack on the Church. Nature is mastered with consideration and intelligence, whether the problem is the breeding of sheep or the ruling of India.
The assurance, self-command and art of ruling which spring from forms are lacking in Germany. Our strongest spirits are formless; they are eclectic or titanic, whether they despise forms or choose forms or burst forms. We have three homes between which we hover—Germany, the earth, and heaven. We comprehend and honour everything—every land, every man, every art and every language; and we are fertilized by what is foreign; on the lower level we enjoy it and imitate it, on the higher it spurs us to creation. We are docile, and do not hate what rules and determines us, only what contracts us and makes us one-sided; an autocratic government may be tolerated, even venerated, if it knows how to be national and popular and does not interfere with our elbow-room.