I outlined to them my plans for gathering samples of the weed. Florence tucked her stillthreaded needle between her teeth and inspected the current pair of socks critically. Joe walked over to the piano and struck several discordant notes.

"I understand there are several parties making expeditions onto the Grass," I said.

"Lots," confirmed Joe. "There's a group sent out by Brother Paul on some very mysterious mission. It's called the Sanctification of the Forerunner. God knows how many thousands he's made his suckers cough up, for theyre equipped with all the latest gadgets for polar exploration, skis and dogsleds, moompitcher cameras, radios and unheardof quantities of your very best pemmican. They started as soon as the snow was thick enough to bear their weight and if we have an untimely thaw theyll go to join the Russians.

"Then there's the government bunch, the Disruptions Commission having finally and reluctantly produced an idea, but exactly what it is they havent confided to an eager citizenry. Smaller groups too: scientists and nearscientists, enthusiasts who have got the notion somehow that animals or migratory game are roaming the snow on top of the grass—exactly how they got there is not explained—planning to photograph, hunt or trap; and just plain folk making the trip for the hell of it. We might have gone ourselves if it hadnt been for the symphony."

"Your symphony is concerned with the Grass?" I asked politely.

"It's concerned with combinations of sound." He looked at me sharply and banged out harsher discords. "With life, if you want to talk like a programnote."

"If you go on this expedition it will give you an opportunity to gather new material," I pointed out.

"If I look out the window or consult my navel or 'meditate while at stool' or cut my finger I will get new material with much less hardship. The last thing a composer or writer or painter needs is material; it is from excess of material he is the besotted creature he is. He may lack leisure or energy or ability or an active colon, but no masterpiece ever was or conceivably could be thwarted from lack of material."

"Yet you have tied yourself to the Grass."

"Not to prostitute it to whatever talents I have, but because it is the most magnificent thing on earth."