"D" Block contains the wards for eye-wound cases.
Here they come, a string of them, mostly with bandages round their heads. The leading man owns one good eye—a twinkling eye—an eye of mischief—an eye (you would guess at once) for the girls. (But the eye's owner probably calls them the "pushers." Such is our language now.) Behind him, in single file, and in step with him, march a gang of patients each with his hand on the shoulder of the man in front. Tramp, tramp! Their tread is purposely thunderous on the bare boards of the corridor. They sing as they advance. It is a ragtime chorus whose most memorable line runs, "You never seem to kiss me in the same place twice." A jaunty lilt, to be sure, both in tune and in rhythm. Tramp, tramp! The one-eyed leader swerves round a corner, roaring the refrain. His followers swerve too. Suddenly the Matron is encountered, emerging from her room. "Fine afternoon, Matron!" The leader interrupts his chant to utter this hearty greeting. And, with one voice, "Fine afternoon, Matron!" exclaim his followers. But they do not turn their heads. Each with his hand resting on the shoulder of the man in front they go steadily on, towards the concert-room, with an odd intentness, glancing neither to one side nor the other. For though, at their leader's cue, they have hailed the Matron, they have not seen her. They are blind.
The spectacle of men—particularly young men—who have given their sight for their country is, to most observers, a moving one. Melancholy are the reflections of the visitor who meets, for the first time, a promenading party of our blind patients. It is the plain truth, nevertheless, that the blind men themselves are far from melancholy. One of the rowdiest characters we ever had in the hospital was totally blind. The blind men's wards are notoriously amongst the least sedate. I offer no explanation. I simply state the fact. I will fortify it by an anecdote.
It came to pass that eight complimentary tickets for a Queen's Hall matinée were received by the Matron, who in due course allotted them to seven "D" Block patients. An orderly, detailed to take them to the hall, completed the octette. Corporal Smith, the orderly in question, recounted his adventures afterwards. "Never again," quoth he, "shall I jump at a matinée job if there are blind chaps in the party. They're the deuce."
You must understand that we hospital orderlies regard the task of shepherding patients to an entertainment in town as an agreeable form of holiday. I have had some very pleasant outings of that sort myself. But not—I am thankful to recall, in the light of Corporal Smith's narrative—with blind men. One-legged men are often a sufficient care, in manœuvring on and off omnibuses. Apparently helpless cripples have a marvellous gift for losing themselves, entering wrong trains, and generally escaping—as the hour for return draws nigh—from one's custody. And the city seems to be full of lunatics ready to supply alcohol or indigestible refreshments to the most delicate war-hospital inmates. Even with ordinary patients the orderly's afternoon excursion is sometimes not unfraught with anxiety. But blind patients, as Corporal Smith said, are the deuce.
Out of his party, four were totally blind, two could recognise dimly the difference between light and darkness, and one had a single good eye.
Queen's Hall was reached, by bus, without mishap. After the performance there was tea at an A.B.C. shop. Here Jock, one of the totally blind men, a Scotchman—all Scots are "Jocks" in the army—distinguished himself by facetiæ (audible throughout the whole shop) on the English pronunciation of the word 'scone,' and intimated his desire to treat the company to a ballad. This project was suppressed, but "a silly fool in a top hat threatened to report me for having given my men drink," said Corporal Smith. "Jock gave him the bird, not 'arf. But I thought it about time to be going home."
So the party prepared to go home.
The bus was voted dull. Somebody suggested the tube. Corporal Smith consented.