I was wondering how the dispute might develop, but evidently my ear is unattuned to the nuances of these dialectics. The soldier's glare and the soldier's tone must have betrayed themselves to the two other men as factitious; the derelict, anyhow, lost his nervousness and, approaching nearer, scanned the soldier with dim, peering eyes; then broke into a joyous grin and exclaimed:

"Lumme, if it ain't ol' Bert!"

And the fat man, leaning on his counter, and likewise examining the soldier, cried, "Ol' Bert it is!"

"Knew you in two ticks," grunted Bert. "Same ol' 'Arry." (This was the derelict.) "Same ol' 'Erb." (This was the fat—and once again jolly—man.)

Explanations ensued. Bert, the young soldier, was a native of these parts. He had emigrated to Canada five years previously. To-night, en route for the front, he had returned. Earlier in the evening there had been ill-advised libations; he had started for his home, felt sleepy, sheltered from the wet in a tunnel quite familiar to him, and there been discovered by the ladies and roused by myself. Arrived at the coffee-stall he had recognised in its proprietor a former pal and another former pal in 'Arry the derelict. To throw the spoon at 'Arry was merely his playful mode of announcing his identity.

I left the trio reviewing the past and exchanging news of the present. My services, it was clear, would no longer be required by the prodigal. He and his mates gave me a hearty good-night.

I did not guess how intimate was soon to be my association with the Berts and 'Arries and 'Erbs of the world. I was to be their servant, to wait upon them, to perform menial tasks for them, to wash them and dress them and undress them, to carry them in my arms. I was to see them suffer and to learn to respect their gameness, and the wry, "grousing" humour which is their almost universal trait. In my own wards, and elsewhere in the hospital, I came in close contact with many cockneys of the slums. Even when one had not precisely "placed" a patient of this description, the relatives who came to him on visiting days gave the clue to the stock from which he sprang. The mother was sometimes a "flower girl"; the sweetheart, with a very feathered hat, and hair which evidently lived in curling pins except on great occasions, probably worked in a factory. These people, if the patient were confined to bed, sat beside him and talked in a subdued, throaty whisper. But I have seen the same sort of patient, well enough to walk about, meet his folks on visiting afternoons at the hospital gate. There is a crowd at the hospital gate, passing in and going out; hosts of patients are waiting, some in wheeled chairs and some seated on the iron fence which fringes the drive. The reunions which occur at that gate are exceedingly public. Our East Ender is perhaps accustomed to publicity; his slum does not conceal its feelings—it quarrels, and makes love, without drawn blinds, and privacy is not an essential of its ardours. Be that as it may, these meetings at the hospital gate, which are not lacking in pathos, have sometimes manifested a tear-compelling comicality when the actors in the drama belonged to the class which produced Bert.

In a higher class there is restraint and a rather stupid bashfulness. I have seen a wounded youngster flush apprehensively and only peck his mother in return for her sobbing embrace. That is not Bert's way. He knows—he is not a fool—that his mother looks a trifle absurd as, with bonnet awry, she surges perspiringly past the sentries, the tails of her skirt dragging in the dust and her feet flattened with the weight of over-clad, unwholesome obesity they have to bear. But he hobbles sprily to meet her, and his salute is no mere peck, but a smacking kiss, so noisy that it makes everyone laugh. He laughs too—perhaps he did it on purpose to raise a laugh: that is his quaint method; but the fact remains that, whatever his motive, he has managed to please his mother. She is sniffing loudly yet laughing also, and one could want no better picture of human affection than this of Bermondsey Bert and his shapeless, work-distorted, maybe bibulous-looking mother, exchanging that resounding and ungraceful kiss at the hospital gate. I have heard Bert shout "Mother!" from a hundred yards off, when he spied her coming through the gate. No false shame there! No smug "good form" in that—nor in the time-honoured jest which follows: "And 'ave you remembered to bring me a bottle of beer, mother?" (Of course visitors are not allowed to introduce alcohol into the hospital—otherwise I am afraid there is no doubt that mother would have obliged.)

In one of our wards we harboured, for a while, a costermonger. This coster, an entertaining and plucky creature who had to have a leg amputated, received no callers on visiting day: his own relatives were dead and he and his wife had separated. "Couldn't 'it it orf," he explained, and with laudable impartiality added, "Married beneath 'er, she did, w'en she married me." As the lady was herself a coster, it was plain that here, as in other grades of society, there are degrees, conventions and barriers which may not be lightly overstepped. "Sister," however, thought that the patient should inform his wife that he had lost his leg, and prevailed on him to send her a letter to that effect. A few days later he was asked,