He descended and disappeared where the trees swept up with wizard glimmerings to touch the cliff. When he had fled, Yeoland passed back into the cavern, and met Fulviac before the splintered gate with a lie upon her lips.
PART II
XIII
Fra Balthasar rubbed his colours in the chapel of Castle Avalon, and stared complacently upon the frescoes his fingers had called into being.
A migratory friar, Fra Balthasar had come from the rich skies, the purple vineyards, the glimmering orange groves of the far south. Gossip hinted that a certain romantic indiscretion had driven him northwards over the sea. A "bend sinister" ran athwart his reputation as a priest. Men muttered that he was an infidel, a blasphemous vagabond, versed in all the damnable heresies of antiquity. Be that as it may, Fra Balthasar had come to Gilderoy on a white mule, with two servants at his back, an apt tongue to serve him, and much craft as a painter and goldsmith. He had set up a bottega at Gilderoy, and had cozened the patronage of the magnates and the merchants. Moreover, he had netted the favour of the Lord Flavian of Avalon, and was blazoning his chapel for him with the lavish fancy of a Florentine.
Fra Balthasar stood in a cataract of sunlight, that poured in through a painted window in the west. He wore the white habit of Dominic and the long black mantle. A golden mist played about his figure as he rubbed his palette, and scanned with the egotism of the artist the Pietà painted above the Lord Flavian's state stall. That gentleman, in the flesh, had established himself on a velvet hassock before the altar steps, thus flattering the friar in the part of a sympathetic patron. The Lord of Avalon had dedicated his own person to art as an Eastern King in the splendour of Gothic arms, kneeling bare-headed before the infant Christ.
Fra Balthasar was a plump man and a comely, black of eye and full of lip. His shaven chin shone blue as sleek velvet. He had turned from the Pietà towards the altar, where a triptych gleamed with massed and brilliant colour. The Virgin, a palpitating divinity breathing stars and gems from her full bosom, gazed with a face of sensuous serenity at the infant lying in her lap. She seemed to exhale an atmosphere of gold. On either wing, angels, transcendant girls in green and silver, purple and azure, scarlet and white, made the soul swim with visions of ruddy lips and milk-white hands. Their wings gleamed like opals. They looked too frail for angels, too human for heaven.
The Lord of Avalon sat on his scarlet hassock, and stared at the Madonna with some measure of awe. She was no attenuated, angular, green-faced fragment of saintliness, but by every curve a woman, from plump finger to coral lip.
"You are no Byzantine," quoth the man on the hassock, with something of a sigh.
The priest glanced at him and smiled. There were curves in lip and nostril that were more than indicative of a sleek and sensuous worldliness. Fra Balthasar was much of an Antinous, and doted on the conviction.