The beech wood filled with sudden movement, and its blackness was like a storm cloud sending out a vague and hollow muttering. Dark shapes came hurrying out of the gloom beyond the gray trunks, the shapes of men and horses that took on color, fierceness, life. There was the rattle of harness, the flashing of steel. John Rich and his riders came out at the gallop.
A piece of tapestry seemed unrolled, so swiftly did things happen. The very power of movement was taken away from Martin Valliant. He saw all that passed as though it were in a dream, the black figure of John Rich and his horse going at the gallop with spear leveled, the men behind him strung out in a half circle and all rushing like the wind. There was Mellis’s white face, helpless, hesitating, like a piece of apple blossom floating on the blackness of a pool. Young Nigel Blount, sword in air, was shouting to his men, who had turned tail and were running for the shelter of the woods. Then Rich’s spear smote right through Nigel Blount’s body. Martin heard the lad’s scream, saw him twist like a puppet on a wire, and tumble backwards, dragging the point of Rich’s spear to the ground. The riders swept around Mellis; she seemed to sink out of sight in the thick of the crowd.
Martin Valliant awoke. He uttered a great cry, and rushed toward the little turret where the stairway opened upon the leads. As he reached it Peter Swartz caught him by the sword belt.
“Stay, you fool!”
Martin tried to thrust him off, but Swartz kept his hold.
“No, no, my friend, knock my teeth out if it pleases you, but if your head’s on fire mine had better do the thinking.”
“Let go, man.”
“And see you rush out there and be ridden down and spitted like that poor popinjay! Thirty to one are heavy odds, Martin Valliant.”
“Let go, curse you.”
“And hold on, say I. Listen to reason, man, and use your wits. You’ll not help that girl by getting yourself killed.”