Suddenly the trackway straightened out into a great colonnade that ran due south between trees of yet vaster girth. Igraine felt the man rein in and abide motionless beside her as she held to the stirrup and waited for what next should chance. Silence seemed like depths of black water over them, and they could hear each other take breath like the faint flux and reflux of a sea. Igraine saw the man lift his spear, a dim streak less black than the vault above, and hold it as a sign for her to listen. Her blood began to tingle a very little. There was something far away on the dead, stagnant air, a sort of swirl of sound, shrill and harmonious, like a wind playing through the strings of a harp. It was very gradual, very impalpable. As the volume of it grew it seemed to rush nearer like a wind, to swell into a swaying plaintive song smitten through with the wounded cry of flutes. It gave a notion of wood-fays dancing, of whirling wings and flitting gossamer moonbright in the shadows. Igraine’s blood seemed to spin the faster, and her hand left the stirrup and touched the man’s thigh. He gave never a word or sign in the dark. She spoke to him very softly, very meekly.
“What place is this, Pelleas?”
She saw him bend slightly in the saddle.
“It is called the Ghost Forest,” he said.
“What are the sounds we hear?”
“Who can tell!”
Igraine had hardly heard him, when a streak of phosphor light flickered among the trees, coming and going incessantly as the great trunks intervened. It neared them in gradual fashion, and then blazed out sudden into the open aisle, a man in armour riding on a great white horse, his harness white as the moon, his face pale and wide-eyed, his hair like a mass of twisted silver wire. A misty glow haloed him round, and though he rode close there seemed no sound at all to mark his passing. As he had come, so he went, with streaks of flickering light that waxed less and less frequent till they died in the dark, and left the place empty as before. Igraine thought the air cold when he had gone.
She felt the black horse move beside her, and they went on as before into the night of the trees. The noise of flute and harp that had ceased awhile bubbled up again quite near, so that it was no longer the ghost of a sound, but noise more definite, more discrete. It had a queer way of dying to a sighing breath, and then gathering gradually into an ascending burst of windy melody. Igraine could almost fancy that she heard the sweep of wings, the soft thrill of silks trailing through the trees, yet the man on the horse said never a word as they went on like a pair of mutes to a grave.
The colonnade opened out abruptly on a great circular clearing in the wood shut in by crowded trunks, its open vault above cut by a dense ring of foliage. A grey light came down from the sky, showing great stones piled one upon another, others fallen and sunk deep in rank grass and brambles. The man halted his horse in the very centre of the clearing, with Igraine beside him, watchful for what should happen, and for the moment when Pelleas should unbend.
Hardly had she looked over the great cromlechs, black and sinister in that solitary wilderness, than the whole wood about them seemed dusted suddenly with points of fire. North, south, east, and west torches and cressets came jerking redly out of the night, flitting behind the trees in a wide circle, gathering nearer and nearer without a sound. They might have been great fireflies playing through the aisles and ways, or goblin lamps carried by fairy folk. Igraine drew very close to the man’s horse for comfort, and looked up to see his face, but found it dark and hidden. Her hand crept up past the horse’s neck, rested on the mane a moment, and ventured yet further to meet the man’s hand, where it gripped the bridle. For a minute they abode thus without a sound, watching the weird torch-dance in the wood.