Never was a traveller in quest of the romantic in greater luck. I had in sooth, got lodged in another haunted apartment of the Abbey; for in this chamber Lord Byron declared he had more than once been harassed at midnight by a mysterious visitor. A black shapeless form would sit cowering upon his bed, and after gazing at him for a time with glaring eyes, would roll off and disappear. The same uncouth apparition is said to have disturbed the slumbers of a newly married couple that once passed their honeymoon in this apartment.
I would observe, that the access to the Rook Cell is by a spiral stone staircase leading up into it, as into a turret, from, the long shadowy corridor over the cloisters, one of the midnight walks of the Goblin Friar. Indeed, to the fancies engendered in his brain in this remote and lonely apartment, incorporated with the floating superstitions of the Abbey, we are no doubt indebted for the spectral scene in “Don Juan.”
“Then as the night was clear, though cold, he threw
His chamber door wide open—and went forth
Into a gallery, of sombre hue,
Long furnish’d with old pictures of great worth,
Of knights and dames, heroic and chaste too,
As doubtless should be people of high birth.
“No sound except the echo of his sigh
Or step ran sadly through that antique house,
When suddenly he heard, or thought so, nigh,
A supernatural agent—or a mouse,
Whose little nibbling rustle will embarrass
Most people, as it plays along the arras.
“It was no mouse, but lo! a monk, arrayed
In cowl, and beads, and dusky garb, appeared,
Now in the moonlight, and now lapsed in shade;
With steps that trod as heavy, yet unheard;
His garments only a slight murmur made;
He moved as shadowy as the sisters weird,
But slowly; and as he passed Juan by
Glared, without pausing, on him a bright eye.
“Juan was petrified; he had heard a hint
Of such a spirit in these halls of old,
But thought, like most men, there was nothing in’t
Beyond the rumor which such spots unfold,
Coin’d from surviving superstition’s mint,
Which passes ghosts in currency like gold,
But rarely seen, like gold compared with paper.
And did he see this? or was it a vapor?
“Once, twice, thrice pass’d, repass’d—the thing of air,
Or earth beneath, or heaven, or t’other place;
And Juan gazed upon it with a stare,
Yet could not speak or move; but, on its base
As stauds a statue, stood: he felt his hair
Twine like a knot of snakes around his face;
He tax’d his tongue for words, which were not granted
To ask the reverend person what he wanted.
“The third time, after a still longer pause,
The shadow pass’d away—but where? the hall
Was long, and thus far there was no great cause
To think its vanishing unnatural:
Doors there were many, through which, by the laws
Of physics, bodies, whether short or tall,
Might come or go; but Juan could not state
Through which the spectre seem’d to evaporate.
“He stood, how long he knew not, but it seem’d
An age—expectant, powerless, with his eyes
Strain’d on the spot where first the figure gleam’d:
Then by degrees recall’d his energies,
And would have pass’d the whole off as a dream.
But could not wake; he was, he did surmise,
Waking already, and return’d at length
Back to his chamber, shorn of half his strength.”
As I have already observed, it is difficult to determine whether Lord Byron was really subject to the superstitious fancies which have been imputed to him, or whether he merely amused himself by giving currency to them among his domestics and dependents. He certainly never scrupled to express a belief in supernatural visitations, both verbally and in his correspondence. If such were his foible, the Rook Cell was an admirable place to engender these delusions. As I have lain awake at night, I have heard all kinds of mysterious and sighing sounds from the neighboring ruin. Distant footsteps, too, and the closing of doors in remote parts of the Abbey, would send hollow reverberations and echoes along the corridor and up the spiral staircase. Once, in fact, I was roused by a strange sound at the very door of my chamber. I threw it open, and a form “black and shapeless with glaring eyes” stood before me. It proved, however, neither ghost nor goblin, but my friend Boatswain, the great Newfoundland dog, who had conceived a companionable liking for me, and occasionally sought me in my apartment. To the hauntings of even such a visitant as honest Boatswain may we attribute some of the marvellous stories about the Goblin Friar.
THE LITTLE WHITE LADY.
In the course of a morning’s ride with Colonel Wildman, about the Abbey lands, we found ourselves in one of the prettiest little wild woods imaginable. The road to it had led us among rocky ravines overhung with thickets, and now wound through birchen dingles and among beautiful groves and clumps of elms and beeches. A limpid rill of sparkling water, winding and doubling in perplexed mazes, crossed our path repeatedly, so as to give the wood the appearance of being watered by numerous rivulets. The solitary and romantic look of this piece of woodland, and the frequent recurrence of its mazy stream, put him in mind, Colonel Wildman said, of the little German fairy tale of Undine, in which is recorded the adventures of a knight who had married a water-nymph. As he rode with his bride through her native woods, every stream claimed her as a relative; one was a brother, another an uncle, another a cousin. We rode on amusing ourselves with applying this fanciful tale to the charming scenery around us, until we came to a lowly gray-stone farmhouse, of ancient date, situated in a solitary glen, on the margin of the brook, and overshadowed by venerable trees. It went by the name, as I was told, of the Weir Mill farmhouse. With this rustic mansion was connected a little tale of real life, some circumstances of which were related to me on the spot, and others I collected in the course of my sojourn at the Abbey.
Not long after Colonel Wildman had purchased the estate of Newstead, he made it a visit for the purpose of planning repairs and alterations. As he was rambling one evening, about dusk, in company with his architect, through this little piece of woodland, he was struck with its peculiar characteristics, and then, for the first time, compared it to the haunted wood of Undine. While he was making the remark, a small female figure in white, flitted by without speaking a word, or indeed appearing to notice them. Her step was scarcely heard as she passed, and her form was indistinct in the twilight.
“What a figure for a fairy or sprite!” exclaimed Colonel Wildman. “How much a poet or a romance writer would make of such an apparition, at such a time and in such a place!”