Bracebridge Hall, or The Humorists

by Washington Irving

These mischievous Dubbies bear much resemblance in their natures and habits to those sprites which Heywood, in his Heirarchie, calls pugs or hobgoblins:

“———Their dwellings be
In corners of old houses least frequented
Or beneath stacks of wood, and these convented,
Make fearfull noise in butteries and in dairies;
Robin Goodfellow some, some call them fairies.
In solitarie rooms these uprores keep,
And beate at doores, to wake men from their slape,
Seeming to force lockes, be they nere so strong,
And keeping Christmasse gambols all night long.
Pots, glasses, trenchers, dishes, pannes and kettles.
They will make dance about the shelves and settles.
As if about the kitchen tost and cast,
Yet in the morning nothing found misplac’t.
Others such houses to their use have fitted,
In which base murthers have been once committed.
Some have their fearful habitations taken
In desolate houses, ruin’d and forsaken.”

In the account of our unfortunate hawking expedition, I mentioned an instance of one of these sprites, supposed to haunt the ruined grange that stands in a lonely meadow, and has a remarkable echo. The parson informs me, also, that the belief was once very prevalent, that a household Dubbie kept about the old farm-house of the Tibbets. It has long been traditional, he says, that one of these good-natured goblins is attached to the Tibbets family, and came with, them when they moved into this part of the country; for it is one of the peculiarities of these household sprites, that they attach themselves to the fortunes of certain families, and follow them in all their removals.

There is a large old-fashioned fire-place in the farm-house, which affords fine quarters for a chimney-corner sprite that likes to lie warm; especially as Ready-Money Jack keeps up rousing fires in the winter-time. The old people of the village recollect many stories about this goblin, that were current in their young days. It was thought to have brought good luck to the house, and to be the reason why the Tibbets were always beforehand in the world, and why their farm was always in better order, their hay got in sooner, and their corn better stacked, than that of their neighbours. The present Mrs. Tibbets, at the time of her courtship, had a number of these stories told her by the country gossips; and when married, was a little fearful about living in a house where such a hobgoblin was said to haunt: Jack, however, who has always treated this story with great contempt, assured her that there was no spirit kept about his house that he could not at any time lay in the Red Sea with one flourish of his cudgel. Still his wife has never got completely over her notions on the subject, but has a horseshoe nailed on the threshold, and keeps a branch of rauntry, or mountain ash, with its red berries, suspended from one of the great beams in the parlour—a sure protection from all evil spirits.

These stories, however, as I before observed, are fast fading away, and in another generation or two will probably be completely forgotten. There is something, however, about these rural superstitions, that is extremely pleasing to the imagination; particularly those which relate to the good-humoured race of household demons, and indeed to the whole fairy mythology. The English have given an inexplicable charm to these superstitions, by the manner in which they have associated them with whatever is most homefelt and delightful in nature. I do not know a more fascinating race of beings than these little fabled people, that haunted the southern sides of hills and mountains, lurked in flowers and about fountain-heads, glided through key-holes into ancient halls, watched over farm-houses and dairies, danced on the green by summer moonlight, and on the kitchen-hearth in winter. They seem to accord with the nature of English housekeeping and English scenery. I always have them in mind, when I see a fine old English mansion, with its wide hall and spacious kitchen; or a venerable farm-house, in which there is so much fireside comfort and good housewifery. There was something of national character in their love of order and cleanliness; in the vigilance with which they watched over the economy of the kitchen, and the functions of the servants; munificently rewarding, with silver sixpence in shoe, the tidy housemaid, but venting their direful wrath, in midnight bobs and pinches, upon the sluttish dairymaid. I think I can trace the good effects of this ancient fairy sway over household concerns, in the care that prevails to the present day among English housemaids, to put their kitchens in order before they go to bed.

I have said, too, that these fairy superstitions seemed to me to accord with the nature of English scenery. They suit these small landscapes, which are divided by honeysuckled hedges into sheltered fields and meadows, where the grass is mingled with daisies, buttercups, and harebells. When I first found myself among English scenery, I was continually reminded of the sweet pastoral images which distinguish their fairy mythology; and when for the first time a circle in the grass was pointed out to me as one of the rings where they were formerly supposed to have held their moonlight revels, it seemed for a moment as if fairy-land were no longer a fable. Brown, in his Britannia’s Pastorals, gives a picture of the kind of scenery to which I allude:

“———A pleasant mead
Where fairies often did their measures tread;
Which in the meadows make such circles green,
As if with garlands it had crowned been.
Within one of these rounds was to be seen
A hillock rise, where oft the fairy queen
At twilight sat.”

And there is another picture of the same, in a poem ascribed to Ben Jonson.

“Bywells and rills in meadows green,
We nightly dance our heyday guise,
And to our fairy king and queen
We chant our moonlight minstrelsies.”

Indeed, it seems to me, that the older British poets, with that true feeling for nature which distinguishes them, have closely adhered to the simple and familiar imagery which they found in these popular superstitions; and have thus given to their fairy mythology those continual allusions to the farm-house and the dairy, the green meadow and the fountain-head, that fill our minds with the delightful associations of rural life. It is curious to observe how the most beautiful fictions have their origin among the rude and ignorant. There is an indescribable charm about the illusions with which chimerical ignorance once clothed every subject. These twilight views of nature are often more captivating than any which are revealed by the rays of enlightened philosophy. The most accomplished and poetical minds, therefore, have been fain to search back into these accidental conceptions of what are termed barbarous ages, and to draw from them their finest imagery and, machinery. If we look through our most admired poets, we shall find that their minds have been impregnated by these popular fancies, and that those have succeeded best who have adhered closest to the simplicity of their rustic originals. Such is the case with Shakspeare in his Midsummer-Night’s Dream, which so minutely describes the employments and amusements of fairies, and embodies all the notions concerning them which were current among the vulgar. It is thus that poetry in England has echoed back every rustic note, softened into perfect melody; it is thus that it has spread its charms over every-day life, displacing nothing, taking things as it found them, but tinting them up with its own magical hues, until every green hill and fountain-head, every fresh meadow, nay, every humble flower, is full of song and story.