Bracebridge Hall, or The Humorists

by Washington Irving

“It is I, my child,” said the old man. The face instantly disappeared, and soon after a wicket-door in the large portal opened. Antonio, who had ventured near to the building, caught a transient sight of a delicate female form. A pair of fine black eyes darted a look of surprise at seeing a stranger hovering near, and the door was precipitately closed.

There was something in this sudden gleam of beauty that wonderfully struck the imagination of the student. It was like a brilliant, flashing from its dark casket. He sauntered about, regarding the gloomy pile with increasing interest. A few simple, wild notes, from among some rocks and trees at a little distance, attracted his attention. He found there a group of Gitanas, a vagabond gipsy race, which at that time abounded in Spain, and lived in hovels and caves of the hills about the neighbourhood of Granada. Some were busy about a fire, and others were listening to the uncouth music which one of their companions, seated on a ledge of the rock, was making with a split reed.

Antonio endeavoured to obtain some information of them, concerning the old building and its inhabitants. The one who appeared to be their spokesman was a gaunt fellow, with a subtle gait, a whispering voice, and a sinister roll of the eye. He shrugged his shoulders on the student’s inquiries, and said that all was not right in that building. An old man inhabited it, whom nobody knew, and whose family appeared to be only a daughter and a female servant. He and his companions, he added, lived up among the neighbouring hills; and as they had been about at night, they had often seen strange lights, and heard strange sounds from the tower. Some of the country people, who worked in the vineyards among the hills, believed the old man to be one that dealt in the black art, and were not over-fond of passing near the tower at night; “but for our parts,” said the Gitano, “we are not a people that trouble ourselves much with fears of that kind.”

The student endeavoured to gain more precise information, but they had none to furnish him. They began to be solicitous for a compensation for what they had already imparted; and, recollecting the loneliness of the place, and the vagabond character of his companions, he was glad to give them a gratuity, and to hasten homewards.

He sat down to his studies, but his brain was too full of what he had seen and heard; his eye was upon the page, but his fancy still returned to the tower; and he was continually picturing the little window, with the beautiful head peeping out; or the door half open, and the nymph-like form within. He retired to bed, but the same object haunted his dreams. He was young and susceptible; and the excited state of his feelings, from wandering among the abodes of departed grace and gallantry, had predisposed him for a sudden impression from female beauty.

The next morning, he strolled again in the direction of the tower. It was still more forlorn, by the broad glare of day, than in the gloom of evening. The walls were crumbling, and weeds and moss were growing in every crevice. It had the look of a prison, rather than a dwelling-house. In one angle, however, he remarked a window which seemed an exception to the surrounding squalidness. There was a curtain drawn within it, and flowers standing on the window-stone. Whilst he was looking at it, the curtain was partially withdrawn, and a delicate white arm, of the most beautiful roundness, was put forth to water the flowers.

The student made a noise, to attract the attention of the fair florist. He succeeded. The curtain was further drawn, and he had a glance of the same lovely face he had seen the evening before; it was but a mere glance—the curtain again fell, and the casement closed. All this was calculated to excite the feelings of a romantic youth. Had he seen the unknown under other circumstances, it is probable that he would not have been struck with her beauty; but this appearance of being shut up and kept apart, gave her the value of a treasured gem. He passed and repassed before the house several times in the course of the day, but saw nothing more. He was there again in the evening. The whole aspect of the house was dreary. The narrow windows emitted no rays of cheerful light, to indicate that there was social life within. Antonio listened at the portal, but no sound of voices reached his ear. Just then he heard the clapping to of a distant door, and fearing to be detected in the unworthy act of eavesdropping, he precipitately drew off to the opposite side of the road, and stood in the shadow of a ruined archway.

He now remarked a light from a window in the tower. It was fitful and changeable; commonly feeble and yellowish, as if from a lamp; with an occasional glare of some vivid metallic colour, followed by a dusky glow. A column of dense smoke would now and then rise in the air, and hang like a canopy over the tower. There was altogether such a loneliness and seeming mystery about the building and its inhabitants, that Antonio was half inclined to indulge the country people’s notions, and to fancy it the den of some powerful sorcerer, and the fair damsel he had seen to be some spell-bound beauty.

After some time had elapsed, a light appeared in the window where he had seen the beautiful arm. The curtain was down, but it was so thin that he could perceive the shadow of some one passing and repassing between it and the light. He fancied that he could distinguish that the form was delicate; and, from the alacrity of its movements, it was evidently youthful. He had not a doubt but this was the bed-chamber of his beautiful unknown.

Presently he heard the sound of a guitar, and a female voice singing. He drew near cautiously, and listened. It was a plaintive Moorish ballad, and he recognized in it the lamentations of one of the Abencerrages on leaving the walls of lovely Granada. It was full of passion and tenderness. It spoke of the delights of early life; the hours of love it had enjoyed on the banks of the Darro, and among the blissful abodes of the Alhambra. It bewailed the fallen honours of the Abencerrages, and imprecated vengeance on their oppressors. Antonio was affected by the music. It singularly coincided with the place. It was like the voice of past times echoed in the present, and breathing among the monuments of its departed glory.