Antonio inquired whether she knew the name of this impetuous admirer? She replied that he had made his advances under a fictitious name; but that she had heard him once called by the name of Don Ambrosio de Loxa.
Antonio knew him, by report, for one of the most determined and dangerous libertines in all Granada. Artful, accomplished, and, if he chose to be so, insinuating; but daring and headlong in the pursuit of his pleasures; violent and implacable in his resentments. He rejoiced to find that Inez had been proof against his seductions, and had been inspired with aversion by his splendid profligacy; but he trembled to think of the dangers she had run, and he felt solicitude about the dangers that must yet environ her.
At present, however, it was probable the enemy had a temporary quietus. The traces of blood had been found for some distance from the ladder, until they were lost among thickets; and as nothing had been heard or seen of him since, it was concluded that he had been seriously wounded.
As the student recovered from his wounds, he was enabled to join Inez and her father in their domestic intercourse. The chamber in which they usually met had probably been a saloon of state in former times. The floor was of marble; the walls partially covered with remains of tapestry; the chairs, richly carved and gilt, were crazed with age, and covered with tarnished and tattered brocade. Against the wall hung a long rusty rapier, the only relic that the old man retained of the chivalry of his ancestors. There might have been something to provoke a smile, in the contrast between the mansion and its inhabitants; between present poverty and the graces of departed grandeur; but the fancy of the student had thrown so much romance about the edifice and its inmates, that every thing was clothed with charms. The philosopher, with his broken-down pride, and his strange pursuits, seemed to comport with the melancholy ruin he inhabited; and there was a native elegance of spirit about the daughter, that showed she would have graced the mansion in its happier days.
What delicious moments were these to the student! Inez was no longer coy and reserved. She was naturally artless and confiding; though the kind of persecution she had experienced from one admirer had rendered her, for a time, suspicious and circumspect toward the other. She now felt an entire confidence in the sincerity and worth of Antonio, mingled with an overflowing gratitude. When her eyes met his, they beamed with sympathy and kindness; and Antonio, no longer haunted by the idea of a favoured rival, once more aspired to success.
At these domestic meetings, however, he had little opportunity of paying his court, except by looks. The alchymist, supposing him, like himself, absorbed in the study of alchymy, endeavoured to cheer the tediousness of his recovery by long conversations on the art. He even brought several of his half-burnt volumes, which the student had once rescued from the flames, and rewarded him for their preservation, by reading copious passages. He would entertain him with the great and good acts of Flamel, which he effected through means of the philosopher’s stone, relieving widows and orphans, founding hospitals, building churches, and what not; or with the interrogatories of King Kalid, and the answers of Morienus, the Roman hermit of Jerusalem; or the profound questions which Elardus, a necromancer of the province of Catalonia, put to the devil, touching the secrets of alchymy, and the devil’s replies.
All these were couched, in occult language, almost unintelligible to the unpractised ear of the disciple. Indeed, the old man delighted in the mystic phrases and symbolical jargon in which the writers that have treated of alchymy have wrapped their communications; rendering them incomprehensible except to the initiated. With what rapture would he elevate his voice at a triumphant passage, announcing the grand discovery! “Thou shalt see,” would he exclaim, in the words of Henry Kuhnrade,[8] “the stone of the philosophers (our king) go forth of the bed-chamber of his glassy sepulchre into the theatre of this world; that is to say, regenerated and made perfect, a shining carbuncle, a most temperate splendour, whose most subtle and depurated parts are inseparable, united into one with a concordial mixture, exceeding equal, transparent as chrystal, shining red like a ruby, permanently colouring or ringing, fixt in all temptations or tryals; yea, in the examination of the burning sulphur itself, and the devouring waters, and in the most vehement persecution of the fire, always incombustible and permanent as a salamander!”
8 ([return])
[ Amphitheatre of the Eternal Wisdom.]