It is the common lamentation of Spanish historians that, in the obscure and melancholy space of time which succeeded the perdition of their country, its history is a mere wilderness of dubious facts, wild exaggerations, and evident fables. Many learned men in cells and cloisters have passed their lives in the weary and fruitless task of attempting to correct incongruous events and reconcile absolute contradictions. The worthy Jesuit Pedro Abarca confesses that for more than forty years, during which he had been employed in theological controversies, he had never found any questions so obscure and inexplicable as those rising out of this portion of Spanish history; and that the only fruit of an indefatigable, prolix, and even prodigious study of the subject, was a melancholy and mortifying indecision.[56]
Let us console ourselves, therefore, in our attempts to thread this mazy labyrinth with the reflection that, if we occasionally err and become bewildered, we do but share the errors and perplexities of our graver and more laborious predecessors; and that, if we occasionally stray into the flowery by-ways of fanciful tradition, we are as likely to arrive at the truth as those who travel by more dry and dusty but not more authenticated paths.
We premise these suggestions before proceeding to cull, from the midst of the fables and extravagances of ancient chronicles, a few particulars of the story of Pelayo, the deliverer of Spain; whose name, like that of William Wallace, the hero of Scotland, will ever be linked with the glory of his country; but linked, like his, by a band in which fact and fiction are indissolubly mingled.
In the ensuing pages it is our intention to give little more than an abstract of an old chronicle teeming with extravagances, yet containing facts of admitted credibility, and presenting pictures of Spanish life, partly sylvan, partly chivalrous, which have all the quaint merit of the curious delineations in old tapestry.
The origin of Pelayo is wrapped in great obscurity, though all writers concur in making him of royal Gothic lineage. The chronicle in question makes Pelayo the offspring of a love affair in the court of Ezica, one of the last of the Gothic kings, who held his seat of government at Toledo. Among the noble damsels brought up in the royal household was the beautiful Lucia, niece and maid of honor to the queen. A mutual passion subsisted between her and Favila, the youthful Duke of Cantabria, one of the most accomplished cavaliers of the kingdom. The duke, however, had a powerful rival in the Prince Witiza, son to the king, and afterwards known, for the profligacy of his reign, by the name of Witiza the Wicked. The prince, to rid himself of a favored rival, procured the banishment of Favila to his estates in Cantabria; not, however, before he had been happy in his loves in stolen interviews with the fair Lucia. The cautious chronicler, however, lets us know that a kind of espousal took place, by the lovers plighting their faith with solemn vows before an image of the Virgin, and as the image gave no sign of dissent by way of forbidding the bans, the worthy chronicler seems to consider them as good as man and wife.
After the departure of the duke, the prince renewed his suit with stronger hope of success, but met with a repulse which converted his love into implacable and vengeful hate.
The beautiful Lucia continued in attendance on the queen, but soon became sensible of the consequences of her secret and informal nuptials so tacitly sanctioned by the Virgin. In the process of time, with great secrecy, she gave birth to a male child, whom she named Pelayo. For fifteen days the infant was concealed in her apartment, and she trusted all was safe, when, to her great terror, she learned that her secret had been betrayed to Prince Witiza, and that search was to be made for the evidence of her weakness.
The dread of public scorn and menace of a cruel death overcame even the feelings of a mother. Through means of a trusty female of her chamber she procured a little ark, so constructed as to be impervious to water. She then arrayed her infant in costly garments, wrapping it in a mantle of rich brocade, and when about to part with it, kissed it many times, and laid it in her lap, and wept over it. At length the child was borne away by the Dueña of her chamber and a faithful handmaid. It was dark midnight when they conveyed it to the borders of the Tagus, where it washes the rocky foundations of Toledo. Covering it from the dew and night air, they committed the ark to the eddying current, which soon swept it from the shore. As it glided down the rapid stream, says the ancient chronicle, they could mark its course even in the darkness of the night; for it was surrounded by a halo of celestial light.[57] They knew not how to account for this prodigy, says the same authentic writer, until they remembered that the mother had blessed the child with the sign of the cross, and had baptized it with her own hand. Others, however, explain this marvel differently; for in this child, say they, was centred the miraculous light which was afterwards to shine forth with comfort and deliverance in the darkest hour of Spain.
The chronicle quoted by Fray Antonio Agapida goes on to state what befell the fair Lucia after the departure of the child. Her apartments were searched at early dawn, but no proof appeared to substantiate the charges made against her. The Prince Witiza persisted in accusing her publicly of having brought disgrace upon her line by her frailty. A cavalier of the court, suborned by him, supported the accusation by an oath, and offered to maintain the truth of it by his sword. A month was granted by the king for the afflicted lady to find a champion, and a day appointed for the lists; if none appeared, or if her champion were overcome, she was to be considered guilty and put to death. The day arrived, the accusing knight was on the ground in complete armor, proclamation was made, but no one stepped forward to defend the lady. At length a trumpet sounded; an unknown knight, with visor closed, entered the lists. The combat was long and doubtful, for it would appear as if the Holy Virgin was not perfectly satisfied with the nature of the espousals which had taken place before her image. At length the accusing knight was overcome and slain, to the great joy of the court and all the spectators, and the beautiful Lucia was pronounced as immaculate as the Virgin, her protectress.
The unknown champion of course proved to be the Duke of Cantabria. He obtained a pardon of the king for returning from banishment without the royal permission; what is more, he obtained permission formally to espouse the lady whose honor he had so gallantly established. Their nuptials were solemnized in due form and with great magnificence, after which he took his blooming bride to his castle in Cantabria, to be out of reach of the persecutions of the Prince Witiza.