The Alhambra

by Washington Irving

About three years had elapsed since Mohamed had beheld his daughters, and he could scarcely credit his eyes at the wonderful change which that small space of time had made in their appearance. During the interval, they had passed that wondrous boundary line in female life which separates the crude, unformed, and thoughtless girl from the blooming, blushing, meditative woman. It is like passing from the flat, bleak, uninteresting plains of La Mancha to the voluptuous valleys and swelling hills of Andalusia.

Zayda was tall and finely formed, with a lofty demeanor and a penetrating eye. She entered with a stately and decided step, and made a profound reverence to Mohamed, treating him more as her sovereign than her father. Zorayda was of the middle height, with an alluring look and swimming gait, and a sparkling beauty, heightened by the assistance of the toilette. She approached her father with a smile, kissed his hand, and saluted him with several stanzas from a popular Arabian poet, with which the monarch was delighted. Zorahayda was shy and timid, smaller than her sisters, and with a beauty of that tender beseeching kind which looks for fondness and protection. She was little fitted to command, like her elder sister, or to dazzle like the second, but was rather formed to creep to the bosom of manly affection, to nestle within it, and be content. She drew near to her father, with a timid and almost faltering step, and would have taken his hand to kiss, but on looking up into his face, and seeing it beaming with a paternal smile, the tenderness of her nature broke forth, and she threw herself upon his neck.

Mohamed the Left-handed surveyed his blooming daughters with mingled pride and perplexity, for while he exulted in their charms, he bethought himself of the prediction of the astrologers. “Three daughters! three daughters!” muttered he repeatedly to himself, “and all of a marriageable age! Here’s tempting Hesperian fruit, that requires a dragon watch!”

He prepared for his return to Granada, by sending heralds before him, commanding every one to keep out of the road by which he was to pass, and that all doors and windows should be closed at the approach of the princesses. This done, he set forth, escorted by a troop of black horsemen of hideous aspect, and clad in shining armor.

The princesses rode beside the king, closely veiled, on beautiful white palfreys, with velvet caparisons, embroidered with gold, and sweeping the ground; the bits and stirrups were of gold, and the silken bridles adorned with pearls and precious stones. The palfreys were covered with little silver bells, which made the most musical tinkling as they ambled gently along. Woe to the unlucky wight, however, who lingered in the way when he heard the tinkling of these bells!—the guards were ordered to cut him down without mercy.

The cavalcade was drawing near to Granada, when it overtook, on the banks of the river Xenil, a small body of Moorish soldiers with a convoy of prisoners. It was too late for the soldiers to get out of the way, so they threw themselves on their faces on the earth, ordering their captives to do the like. Among the prisoners were the three identical cavaliers whom the princesses had seen from the pavilion. They either did not understand, or were too haughty to obey the order, and remained standing and gazing upon the cavalcade as it approached.

The ire of the monarch was kindled at this flagrant defiance of his orders. Drawing his cimeter, and pressing forward, he was about to deal a left-handed blow that might have been fatal to at least one of the gazers, when the princesses crowded round him, and implored mercy for the prisoners; even the timid Zorahayda forgot her shyness, and became eloquent in their behalf. Mohamed paused, with uplifted cimeter, when the captain of the guard threw himself at his feet. “Let not your highness,” said he, “do a deed that may cause great scandal throughout the kingdom. These are three brave and noble Spanish knights, who have been taken in battle, fighting like lions; they are of high birth, and may bring great ransoms.”—“Enough!” said the king. “I will spare their lives, but punish their audacity—let them be taken to the Vermilion Towers, and put to hard labor.”

Mohamed was making one of his usual left-handed blunders. In the tumult and agitation of this blustering scene, the veils of the three princesses had been thrown back, and the radiance of their beauty revealed; and in prolonging the parley, the king had given that beauty time to have its full effect. In those days people fell in love much more suddenly than at present, as all ancient stories make manifest: it is not a matter of wonder, therefore, that the hearts of the three cavaliers were completely captured; especially as gratitude was added to their admiration; it is a little singular, however, though no less certain, that each of them was enraptured with a several beauty. As to the princesses, they were more than ever struck with the noble demeanor of the captives, and cherished in their breasts all that they had heard of their valor and noble lineage.

The cavalcade resumed its march; the three princesses rode pensively along on their tinkling palfreys, now and then stealing a glance behind in search of the Christian captives, and the latter were conducted to their allotted prison in the Vermilion Towers.

The residence provided for the princesses was one of the most dainty that fancy could devise. It was in a tower somewhat apart from the main palace of the Alhambra, though connected with it by the wall which encircled the whole summit of the hill. On one side it looked into the interior of the fortress, and had, at its foot, a small garden filled with the rarest flowers. On the other side it overlooked a deep embowered ravine separating the grounds of the Alhambra from those of the Generalife. The interior of the tower was divided into small fairy apartments, beautifully ornamented in the light Arabian style, surrounding a lofty hall, the vaulted roof of which rose almost to the summit of the tower. The walls and the ceilings of the hall were adorned with arabesque and fretwork, sparkling with gold and with brilliant pencilling. In the centre of the marble pavement was an alabaster fountain, set round with aromatic shrubs and flowers, and throwing up a jet of water that cooled the whole edifice and had a lulling sound. Round the hall were suspended cages of gold and silver wire, containing singing birds of the finest plumage or sweetest note.