"Oh, they're all fakes, I guess. All I ever ran across, anyway. But this death-fancier's the real squeeze—only raises the graveyard in private an' don't take any money, an' a whole lot of big doctors an' psychology profs are nutty about her, you see? It's the big show, the original New York company. You better come."

"All right," I said, "bring on your mysteries. I always thought there was something in that business, really; and here's a good chance. But look here, Mac, I want you to tell me what you heard from Carucci."

"Tell you the truth," said Maclean, "I'm a little bit afraid there may be something in spookery, myself. That's why I'd just as soon have you along."

"It won't do, old fellow," said I; "let's have the dago story."

Maclean fidgeted and glowered at the table. "It's like this, Laurie, you see? Those folks are friends of yours, an' this yarn of the guinea's is just a dirty bit of scandal, that's all over an' done with. An' I told you I didn't believe it anyhow. I hadn't ought to have said anythin' to you in the first place; and I'd rather not say anythin' about it now unless you want. 'Tain't anythin'."

"Mac, I've gone so far with the Tabors that I need to know all I can. If it's a lie, why all right. If it's true, why you can trust me and so can they. I wasn't born last week."

"Well," Mac grunted after a pause, "I'd better tell you, I guess, than let you go it blind—here you are. You know that Doctor Reid that's in with the Tabors?" He lowered his voice, leaning across the table. "Accordin' to the dago, he got mixed up with some woman abroad, an' married her. Then he leaves her, an' comes back, an' maybe he thinks she's dead. So he marries the Tabor girl, you see? Then the family get wise about the other woman, an' there's an awful row, an' finally they fix it up among them to move away, an' let on that Reid an' the daughter ain't married at all, not until this other woman dies, you see? An' that's what they're all keepin' so quiet about. Mind you, I don't believe it, myself."

"Why, it's impossible," I said. "It doesn't fit together. Miriam Tabor died a year after Reid married her, and why should they—"

"Sure, that's just it. Sure. I told you it was all over, an' anyhow it couldn't be so." He looked at his watch, and I noticed that the monogram on the back was cut in a quaint, antique fashion. "Come ahead—we've just got time."

I found his eyes and held them. "One minute, Mac. You're keeping back the point, so that I won't understand the story. It's no use."