He shook his head.
"It's hard to tear that rain-proof stuff, and besides you'd get wet going home. There's no sense in that. Isn't there something else?"
She blushed a little and turned away for a moment, during which she slipped off her underskirt. Then, as Moran watched her cynically, she tore it into strips. When she had thus made several stout bands, Wade spoke again.
"You take the first throw or two about him," he directed, "and when you have him partly tied you can take my gun and I'll finish the job. Start with his feet, that's right. Now draw it as tight as you can. Put your arms down back of you! Tie them now, Dorothy. That's fine! Here, you take the gun. You know how to use it, if he struggles."
Wade tightened up the linen bands, and kicked forward a straight-backed chair, into which he forced Moran and lashed him fast there, to all of which the agent made no great protest, knowing that to do so would be useless. He grunted and swore a bit under his breath, but that was all. When he was well trussed up, the ranchman made a gag out of what was left of the linen and his own handkerchief and strapped it into his prisoner's mouth with his belt.
When the job was done, and it was a good one, he grinned again in that slow, terrible way. A grin that bore no semblance to human mirth, but was a grimace of combined anger and hatred. Once before, during the fight at the ranch, Bill Santry had seen this expression on his employer's face, but not to the degree that Dorothy now saw it. It frightened her.
"Oh, Gordon, don't, please!" She closed her eyes to shut out the sight. "Come, we must hurry away."
"Good night," Wade said ironically, with a last look at Moran.
He let Dorothy draw him away then, and by the time they reached the street he was his old boyish self again. Aping Moran, he slipped his arm around her waist, but she did not shrink from his embrace, unexpected though it was.
"Say, kid," he laughed mockingly. "Kiss me once, won't you?"