A final modification of the religious activities in the University in 1919 resulted in an approximate return to the plan of organization of the old S.C.A., under which the Association became a clearing house for all the churches within the University community. Under this plan all students who are church members become de facto members of the Association, and, as far as their church affiliations permit, of the Y.M.C.A. and the Y.W.C.A.; while the two buildings, Lane Hall and Newberry Hall, are considered exchange centers for all the churches and religious organizations, including the Jewish Student Congregation.

No single factor in the life of the University has been more effective than the close relationship of the Faculty and students with the town, an entente which has been carefully fostered by the Ann Arbor churches. A large proportion of the Faculty have always been church members, and this has led to very active efforts to reach the students through the employment of student pastors, and the establishment of several church guild houses, which include Harris Hall, Protestant Episcopal; McMillan and Sackett Halls, Presbyterian; and Tucker Memorial, Baptist; all on Huron Street, while across from University Hall is the Catholic Chapel which was remodeled from the old home of Professor Morris. There is also every prospect that a number of new church buildings of this character will be erected in the immediate neighborhood of the Campus within a few years.

Michigan students have many songs which celebrate not only the delights and care-free charm of college life but also their regard for their University. Some of them are among the most inspiring and beautiful of all the great body of melodies which our American colleges have inspired. They have become an essential of undergraduate life and bear most effective witness to the sentiment of love and loyalty which, though often hidden, binds the student to his alma mater.

Always first among Michigan songs is "The Yellow and the Blue," written by Charles M. Gayley, '78, now of the University of California, when an Assistant Professor of English in the University. It first appeared in a pamphlet entitled "Songs of the Yellow and the Blue," published in 1889. This collection included a number of songs which have always been favorites, by Professor Gayley and Professor Fred N. Scott, '84, for which the music, in many cases, was written by Dr. A.A. Stanley. The words of "The Yellow and the Blue," which are set to the air of Balfe's "Pirate's Chorus," are as follows:

Sing to the colors that float in the light;
Hurrah for the Yellow and Blue!
Yellow the stars as they ride thro' the night,
And reel in a rollicking crew;
Yellow the fields where ripens the grain,
And mellow the moon on the harvest wain;
Hail!
Hail to the colors that float in the light;
Hurrah for the Yellow and Blue!

Blue are the billows that bow to the sun
When yellow-robed morning is due;
Blue are the curtains that evening has spun,
The slumbers of Phœbus to woo;
Blue are the blossoms to memory dear,
And blue is the sapphire, and gleams like a tear;—
Hail!
Hail to the ribbons that nature has spun;
Hurrah for the Yellow and Blue!

Here's to the college whose colors we wear;
Here's to the hearts that are true!
Here's to the maid of the golden hair,
And eyes that are brimming with blue!
Garlands of blue-bells and maize intertwine;
And hearts that are true and voices combine;—
Hail!
Hail to the college whose colors we wear;
Hurrah for the Yellow and Blue!

The popularity of the old song to Dr. Tappan and the other members of the early Faculty, adapted from the old church tune: "Where, Oh Where, are the Hebrew Children?" has been suggested. It is probably one of the oldest of Michigan songs, and has survived through a succession of student and faculty generations; though now it is one of the least of many, and is only heard in the variation,—

Where, Oh where, are the verdant freshmen?
They've gone out from their prescribed English,
Safe now in the Sophomore class,

and so on.