In the time of Queen Anne ladies wore their nightdresses, or night-rails as they were called, in the streets, and the fashion seems to have been in vogue at later times, though every means were taken to try and abolish it. It was not until a murderess was persuaded to appear at her execution in a bedgown that the fad was relinquished.
[XXXI]
THE DRESS OF ANIMALS
NATURAL REPRESENTATIVES OF CLOTHES—HORSE TRAPPINGS—AMULETS ON HARNESS—DOGS’ DISGUISES—FASHIONS IN THE FORM OF ANIMALS
Here and there in the animal kingdom we find that creatures protect themselves from injury by building up cases and coverings from extraneous materials, and these may very well be compared with the armour and clothes of mankind. Protection may be gained by merely securing something ready made to take the place of a coat, as is done in the case of the hermit-crab or “soldier,” which covers itself with the shell of some dead mollusc. The caddis worm, or larva of the caddis fly, builds its home of sticks and stones or twigs, and thereby not only preserves its soft body from injury, but also harmonizes with its surroundings, in the same way as does the soldier on active service in time of war.
To gain protection, also, some molluscs when building their shells introduce stones and other shells and corals into the edifice, so that they become indistinguishable from the sea-bottom on which they lie. Many caterpillars cover themselves with bits of leaves, and even with the help of silk make spiral shells that might easily be mistaken for those of snails. The silk also, from which many of our gay clothes are made, is spun by the silkworm, which, like the larva of many moths, produces it in order to protect the chrysalis while it rests.
We are occupied here, however, with the coverings of animals that they owe to man, and first and foremost of those creatures which have come in for his polite attentions is the horse.
We may recall the armour by which the chargers of the old knights were protected, and the trappings or emblazoned coverings that were put over this in the same way as the surcoat was made to cover the armour of the knights. (See Figure [84].) The trappings were often made of coloured satin, and were embroidered with gold and silver, and at the exhibition held by the Burlington Fine Arts Society in 1905 a chasuble of red velvet was shown, embroidered with the arms of England in gold, which was apparently made from a horse-trapper of the fourteenth century. Figure [84] well shows how the horses carried the armorial bearings of their masters.
In the ostrich-feather ornaments and the velvet trappings of modern funeral horses, we still have some remnants of the days of chivalry.