[75] Ed. Hanslick: “History of Concert Life in Vienna,” p. 115.

[76] See p. [72].

[77] See p. [28].

[78] Concerning the brothers Duport, see the following section.

[79] According to Fétis. Gerber says in his “Dictionary of Musicians” that, about the year 1755, a cellist, by name Virgil Michel, belonged to the orchestra at Munich. Apparently he is identical with the one mentioned by Fétis.

[80] See the [next section].

[81] Fétis has mentioned the greater number of these compositions in the respective articles of his “Biographie Universelle des Musiciens.”

[82] It is to be found in Carl Bank’s recently published Haydn Symphonies in score. Compare also Pohl’s “Haydn Biography,” I., 229 and 285.

[83] Recently has come out a Duet (D major) in three movements for violin and violoncello, by J. Haydn, which he must have composed during his residence in London for a certain William Forster. These compositions recall, not only in respect of form, Tartini’s manner, so that one is induced to look upon them as Haydn’s early work, which he wrote down from memory as a recollection.

[84] This has already been mentioned. Page [49].