I lapse into a day-dream again. I too am one of those little ones standing out there; I count the richly-caparisoned horses that are being led in; for the twentieth time I read the large placard announcing an “élite performance”; I am so happy as the beautiful equestrienne passes right by me; the muffled sounds of the music penetrate to my ears; I hear the animated applause and the bravos. One thought possesses me: I must get in! Cost what it may, I must go in!
Oh, I could have committed a theft to enable myself to get in there and share in the applause! And I thought to myself, if I am ever a rich man I shall go to the Circus every day. How excitedly I go home then, talking about all the wonderful things I have seen, and how in my dreams all my wishes are realized—all these things take on a tangible shape before my mind’s eye.
I note that it was the most beautiful period of my life, the time when I used to stand outside. In those days I still had a sense of the wonderful. There was a touch of secret magic about everything. Even dead things had a message for me. Before me was an endless wealth of possibilities; and there stretched before me kingdoms of the future over which my childish wishes flew like migratory birds.
Verily—happiness is only anticipating possibilities, denying impossibilities. Life is filled up with dreams of the future. What we know seems trivial when measured by the knowledge we would like to acquire. Possession kills desire; realization slays fantasy and transforms the wonderful into the commonplace.
All the beauty of this world lies only in the fantasies which reality can never approximate. The marvels of the present are seen only by those who stand outside.
Every time that one of the portals that had been locked from our youthful eyes opened, every time longing became fulfilment, we became one pleasure poorer and one disappointment richer. Only with the aid of the stilts supplied us by philosophy can we rise above the depressing disillusionment of experience. Or, in playing our part in the great drama of life, we cling to the one role we have studied and keep on repeating it to ourselves until we, too, almost believe it. Then we succeed again in seizing a fringe of the magnificent purple mantle with which we aspired to adorn our life.
Those outside see everything on a much larger scale, finer, and grander. That is why we envy others their possessions, their realities, their calling. Because we project the inevitable disappointments of life upon the thing that is readiest at hand—and that is unquestionably our vocation. Our wishes circle around others’ possibilities.
Involuntarily an experience from my youth occurs to me. I had for the first time in my life made the acquaintance of a poet. He was a well-known lyrist of that day and his delightful verses had charmed me for years. He did not in any way come up to the ideal that I had conceived of what a poet ought to be. The edges of his eyelids were red, his face was commonplace, and he had a large paunch. The manner in which he drank his coffee disgusted me. A little coffee dripped down on his dirty grey beard and with the movements of his big upper jaw some cake crumbs danced up and down on his moustache.
And that was the poet who wrote those passionate little lyrics! Overcoming my disappointment, I entered into conversation with him and let him perceive something of my admiration. He was to be envied for possessing the gift of transforming his moods and experiences into works of art!