"To whom does this refer, who is said to have tattled?" asked a stout woman with a bold face.

The burgomaster frowned. "It refers to those who feel guilty--and does not concern those who do not!" he cried, sternly. "The good silent women among you know very well that I do not mean them--and the others can take heed."

A painful pause followed. The burgomaster's eyes rested threateningly upon the angry faces of the culprits. Those who felt that they were innocent gazed at him undisturbed.

"I will answer for my wife"--"Nothing shall go from my house!" protested one after another, and thus at least every effort would be made to save the honor of Ammergau, and conceal their disgrace from the world. But now came the question how to save the Play. A warm debate followed. The people, thus robbed of their hopes, wished to continue the performances at any cost, with any cast of characters. But here they encountered the resolute opposition of the burgomaster: "Either well--or not at all!" was his ultimatum. "We cannot deceive ourselves for a moment. At present, there is not one of us who can personate the Christ--except Thomas Rendner, and where, in that case, could we find a Pilate--who could replace Thomas Rendner?"

There was a violent discussion. "The sacristan, Nathanael, could play Pilate."

"Who then would take Nathanael?"

"Ah, if this one and that one were still in the village! But they had gone away to seek their bread, like so many who could no longer earn a support since the Partenkirch School of Carving had competed with the one in Ammergau. And many more would follow. If things went on in the same fashion, and matters were not improved by the play, in ten years more there might be none to fill the parts, necessity would gradually drive every one away."

"Yes, we are in a sore strait, my friends. The company melts away more and more--the danger to the Passion Play constantly increases. If we can find no help now, penury will deprive us of some of our best performers ere the next time. And yet, my friends, believe me--I say it with a heavy heart: if we now continue with a poor cast of characters--we shall be lost wholly and forever, for then we shall have destroyed the reputation of the Passion Play."

"Thomas Rendner will personate the Christ well--there is no danger on that score."

"And if he does--if Rendner takes the Christ, the sacristan Pilate, and some one else Nathanael--shall we not be obliged to study the whole piece again, and can that be done so rapidly? Can we commence our rehearsals afresh now? I ask you, is it possible?"