A short pause followed, during which the freedman and the singing-boy stared upon each other in mutual perplexity. At length the one resumed his address of apology, and the other resumed his efforts on the lyre. Once more, after an interval, the eyes of Vetranio lazily unclosed, and this time he began to speak; but his thoughts—if thoughts they could be called—were as yet wholly occupied by the 'table-talk' at the past night's banquet.
'The ancient Egyptians—oh, sprightly and enchanting Camilla—were a wise nation!' murmured the senator drowsily. 'I am myself descended from the ancient Egyptians; and, therefore, I hold in high veneration that cat in your lap, and all cats besides. Herodotus—an historian whose works I feel a certain gratification in publicly mentioning as good—informs us, that when a cat died in the dwelling of an ancient Egyptian, the owner shaved his eyebrows as a mark of grief, embalmed the defunct animal in a consecrated house, and carried it to be interred in a considerable city of Lower Egypt, called 'Bubastis'—an Egyptian word which I have discovered to mean The Sepulchre of all the Cats; whence it is scarcely erroneous to infer—'
At this point the speaker's power of recollection and articulation suddenly failed him, and Carrio—who had listened with perfect gravity to his master's oration upon cats—took immediate advantage of the opportunity now afforded him to speak again.
'The equipage which my patron was pleased to command to carry him to Aricia,' said he, with a strong emphasis on the last word, 'now stands in readiness at the private gate of the palace gardens.'
As he heard the word 'Aricia', the senator's powers of recollection and perception seemed suddenly to return to him. Among that high order of drinkers who can imbibe to the point of perfect enjoyment, and stop short scientifically before the point of perfect oblivion, Vetranio occupied an exalted rank. The wine he had swallowed during the night had disordered his memory and slightly troubled his self-possession, but had not deprived him of his understanding. There was nothing plebeian even in his debauchery; there was an art and a refinement in his very excesses.
'Aricia—Aricia!' he repeated to himself, 'ah! the villa that Julia lent to me at Ravenna! The pleasures of the table must have obscured for a moment the image of my beautiful pupil of other days, which now revives before me again as Love resumes the dominion that Bacchus usurped! My excellent Carrio,' he continued, speaking to the freedman, 'you have done perfectly right in awakening me; delay not a moment more in ordering my bath to be prepared, or my man-monster Ulpius, the king of conspirators and high priest of all that is mysterious, will wait for me in vain! And you, Glyco,' he pursued, when Carrio had departed, addressing the singing-boy, 'array yourself for a journey, and wait with my equipage at the garden-gate. I shall require you to accompany me in my expedition to Aricia. But first, oh! gifted and valued songster, let me reward you for the harmonious symphony that has just awakened me. Of what rank of my musicians are you at present, Glyco?'
'Of the fifth,' replied the boy.
'Were you bought, or born in my house?' asked Vetranio.
'Neither; but bequeathed to you by Geta's testament,' rejoined the gratified Glyco.
'I advance you,' continued Vetranio, 'to the privileges and the pay of the first rank of my musicians; and I give you, as a proof of my continued favour, this ring. In return for these obligations, I desire to keep secret whatever concerns my approaching expedition; to employ your softest music in soothing the ear of a young girl who will accompany us—in calming her terrors if she is afraid, in drying her tears if she weeps; and finally, to exercise your voice and your lute incessantly in uniting the name 'Antonina' to the sweetest harmonies of sound that your imagination can suggest.'