It was too late. As he turned from the house a manservant appeared at the door—crossed the enclosure—and threw the gate open for Ovid, without uttering a word.
They entered the passage. The speechless manservant opened a door on the right, and made a bow, inviting the visitor to enter. Ovid found himself in a room as barren as the field outside. There were the plastered walls, there was the bare floor, left exactly as the builders had left them when the house was finished. After a short absence, the man appeared again. He might be depressed in spirits, or crabbed in temper: the fact remained that, even now, he had nothing to say. He opened a door on the opposite side of the passage—made another bow—and vanished.
“Don’t come near me!” cried Benjulia, the moment Ovid showed himself.
The doctor was seated in an inner corner of the room; robed in a long black dressing-gown, buttoned round his throat, which hid every part of him below his fleshless face, except his big hands, and his tortured gouty foot. Rage and pain glared in his gloomy gray eyes, and shook his clenched fists, resting on the arms of an easy chair. “Ten thousand red-hot devils are boring ten thousand holes through my foot,” he said. “If you touch the pillow on my stool, I shall fly at your throat.” He poured some cooling lotion from a bottle into a small watering-pot, and irrigated his foot as if it had been a bed of flowers. By way of further relief to the pain, he swore ferociously; addressing his oaths to himself, in thunderous undertones which made the glasses ring on the sideboard.
Relieved, in his present frame of mind, to have escaped the necessity of shaking hands, Ovid took a chair, and looked about him. Even here he discovered but little furniture, and that little of the heavy old-fashioned sort. Besides the sideboard, he perceived a dining-table, six chairs, and a dingy brown carpet. There were no curtains on the window, and no pictures or prints on the drab-coloured walls. The empty grate showed its bleak black cavity undisguised; and the mantelpiece had nothing on it but the doctor’s dirty and strong-smelling pipe. Benjulia set down his watering-pot, as a sign that the paroxysm of pain had passed away. “A dull place to live in, isn’t it?” In those words he welcomed the visitor to his house.
Irritated by the accident which had forced him into the repellent presence of Benjulia, Ovid answered in a tone which matched the doctor on his own hard ground.
“It’s your own fault if the place is dull. Why haven’t you planted trees, and laid out a garden?”
“I dare say I shall surprise you,” Benjulia quietly rejoined; “but I have a habit of speaking my mind. I don’t object to a dull place; and I don’t care about trees and gardens.”
“You don’t seem to care about furniture either,” said Ovid.
Now that he was out of pain for awhile, the doctor’s innate insensibility to what other people might think of him, or might say to him, resumed its customary torpor in its own strangely unconscious way. He seemed only to understand that Ovid’s curiosity was in search of information about trifles. Well, there would be less trouble in giving him his information, than in investigating his motives. So Benjulia talked of his furniture.