Zack, who had been yawning disconsolately over his own copy, with his fists stuck into his cheeks, and his elbows on his knees, bustled up to the couch directly. As he approached, Madonna tried to get back to her former position at the fireplace, but was prevented by Mrs. Blyth, who kept tight hold of her hand. Just then, Zack fixed his eyes on her and increased her confusion.
“She looks prettier than ever to-night, don’t she, Mrs. Blyth?” he said, sitting down and yawning again. “I always like her best when her eyes brighten up and look twenty different ways in a minute, just as they’re doing now. She may not be so like Raphael’s pictures at such times, I dare say (here he yawned once more); but for my part—What’s she wanting to get away for? And what are you laughing about, Mrs. Blyth? I say, Valentine, there’s some joke going on here between the ladies!”
“Do you remember this, Zack?” asked Mrs. Blyth, tightening her hold of Madonna with one hand, and producing the framed drawing of the Venus de’ Medici with the other.
“Madonna’s copy from my bust of the Venus!” cried Valentine, interposing with his usual readiness, and skipping forward with his accustomed alacrity.
“Madonna’s copy from Blyth’s bust of the Venus,” echoed Zack, coolly; his slippery memory not having preserved the slightest recollection of the drawing at first sight of it.
“Dear me! how nicely it’s framed, and how beautifully she has finished it!” pursued Valentine, gently patting Madonna’s shoulder, in token of his high approval and admiration.
“Very nicely framed, and beautifully finished, as you say, Blyth,” glibly repeated Zack, rising from his chair, and looking rather perplexed, as he noticed the expression with which Mrs. Blyth was regarding him.
“But who got it framed?” asked Valentine. “She would never have any of her drawings framed before. I don’t understand what it all means.”
“No more do I,” said Zack, dropping back into his chair in lazy astonishment. “Is it some riddle, Mrs. Blyth? Something about why is Madonna like the Venus de’ Medici, eh? If it is, I object to the riddle, because she’s a deal prettier than any plaster face that ever was made. Your face beats Venus’s hollow,” continued Zack, communicating this bluntly sincere compliment to Madonna by the signs of the deaf and dumb alphabet.
She smiled as she watched the motion of his fingers—perhaps at his mistakes, for he made two in expressing one short sentence of five words—perhaps at the compliment, homely as it was.