When the two men had gone out, Madame Fontaine ventured into the Watchman's Chamber. Her eyes turned towards the one terrible cell, at the farther end of the row of black curtains. She advanced towards it; and stopped, lifting her hands to her head in the desperate effort to compose herself.
The terror of impending discovery had never left her, since Jack had owned the use to which he had put the contents of the blue-glass bottle.
Animated by that all-mastering dread, she had thrown away every poison in the medicine-chest—had broken the bottles into fragments—and had taken those fragments out with her, when she left the house to follow Doctor Dormann. On the way to the cemetery, she had scattered the morsels of broken glass and torn paper on the dark road outside the city gate. Nothing now remained but the empty medicine-chest, and the writing in cipher, once rolled round the poison called the "Looking-Glass Drops."
Under these altered circumstances, she had risked asking Doctor Dormann to interpret the mysterious characters, on the bare chance of their containing some warning by which she might profit, in her present ignorance of the results which Jack's ignorant interference might produce.
Acting under the same vague terror of that possible revival, to which Jack looked forward with such certain hope, she had followed him to the Deadhouse, and had waited, hidden in the cells, to hear what dangerous confidences he might repose in the doctor or in Mr. Keller, and to combat on the spot the suspicion which he might ignorantly rouse in their minds. Still in the same agony of doubt, she now stood, with her eyes on the cell, trying to summon the resolution to judge for herself. One look at the dead woman, while the solitude in the room gave her the chance—one look might assure her of the livid pallor of death, or warn her of the terrible possibilities of awakening life. She hurried headlong over the intervening space, and looked in.
There, grand and still, lay her murderous work! There, ghostly white on the ground of the black robe, were the rigid hands, topped by the hideous machinery which was to betray them, if they trembled under the mysterious return of life!
In the instant when she saw it, the sight overwhelmed her with horror. She turned distractedly, and fled through the open door. She crossed the courtyard, like a deeper shadow creeping swiftly through the darkness of the winter night. On the threshold of the solitary waiting-room, exhausted nature claimed its rest. She wavered—groped with her hands at the empty air—and sank insensible on the floor.
In the meantime, Schwartz revealed the purpose of his visit to the bath-room.
The glass doors which protected the upper division of the cabinet were locked; the key being in the possession of the overseer. The cupboard in the lower division, containing towels and flannel wrappers, was left unsecured. Opening the door, the watchman drew out a bottle and an old traveling flask, concealed behind the bath-linen. "I call this my cellar," he explained. "Cheer up, Jacky; we'll have a jolly night of it yet."
"I don't want to see your cellar!" said Jack impatiently. "I want to be of use to Mistress—show me the place where we call for help."