"Better printed?" suggested the engineer.

"On better paper?" added my aunt.

"It can't be done—if you refer to the cheap press—it can't be done for the money," interposed the editor, irritably.

"O, but that's not it!" continued Miss Sticker, wringing her bony fingers, with horrid black mittens on them. "I didn't mean to say better printed, or better paper. It was one word I meant, not two.—With regard to the Press," pursued Miss Sticker, repeating her own ridiculous words carefully, as an aid to memory, "the only question is, whether it ought to be——Bless my heart, how extraordinary! Well, well, never mind: I'm quite shocked, and ashamed of myself. Pray go on talking, and don't notice me."

It was all very well to say, Go on talking; but the editor's amusing story about subscribers to newspapers, had been, by this time, fatally interrupted. As usual, Miss Sticker had stopped us in full flow. The engineer considerately broke the silence by starting another subject.

"Here are some wedding-cards on your table," he said, to my aunt, "which I am very glad to see there. The bridegroom is an old friend of mine. His wife is really a beauty. You know how he first became acquainted with her? No? It was quite an adventure, I assure you. One evening he was on the Brighton Railway; last down train. A lovely girl in the carriage; our friend Dilberry immensely struck with her. Got her to talk after a long time, with great difficulty. Within half an hour of Brighton, the lovely girl smiles, and says to our friend, 'Shall we be very long now, sir, before we get to Gravesend?' Case of confusion at that dreadful London Bridge Terminus. Dilberry explained that she would be at Brighton in half an hour, upon which the lovely girl instantly and properly burst into tears. 'O, what shall I do! O, what will my friends think!' Second flood of tears.—'Suppose you telegraph?' says Dilberry soothingly.—'O, but I don't know how!' says the lovely girl. Out comes Dilberry's pocket-book. Sly dog! he saw his way now to finding out who her friends were. 'Pray let me write the necessary message for you,' says Dilberry. 'Who shall I direct to at Gravesend?'—'My father and mother are staying there with some friends,' says the lovely girl. 'I came up with a day-ticket, and I saw a crowd of people when I came back to the station, all going one way, and I was hurried and frightened, and nobody told me, and it was late in the evening, and the bell was ringing, and, O Heavens! what will become of me!' Third burst of tears.—'We will telegraph to your father,' says Dilberry. 'Pray don't distress yourself. Only tell me who your father is.'—'Thank you a thousand times,' says the lovely girl, 'my father is——'"

"Anonymous!" shouts Miss Sticker, producing her lost word with a perfect burst of triumph. "How glad I am I remembered it at last! Bless me," exclaims the Lady-Bore, quite unconscious that she has brought the engineer's story to an abrupt conclusion, by giving his distressed damsel an anonymous father; "Bless me! what are you all laughing at? I only meant to say that the question with regard to the Press was, whether it ought to be anonymous. What in the world is there to laugh at in that? I really don't see the joke."

And this woman escapes scot-free, while comparatively innocent men are held up to ridicule, in novel after novel, by dozens at a time! When will the deluded male writers see my sex in its true colours, and describe it accordingly? When will Miss Sticker take her proper place in the literature of England?

My second Lady-Bore is that hateful creature, Mrs. Tincklepaw. Where, over the whole interesting surface of male humanity (including Cannibals)—where is the man to be found whom it would not be scandalous to mention in the same breath with Mrs. Tincklepaw? The great delight of this shocking woman's life, is to squabble with her husband (poor man, he has my warmest sympathy and best good wishes), and then to bring the quarrel away from home with her, and to let it off again at society in general, in a series of short spiteful hints. Mrs. Tincklepaw is the exact opposite of Miss Sticker. She is a very little woman; she is (and more shame for her, considering how she acts) young enough to be Miss Sticker's daughter; and she has a kind of snappish tact in worrying innocent people, under every possible turn of circumstances, which distinguishes her (disgracefully) from the poor feeble-minded Maid-Bore, to whom the reader has been already introduced. Here are some examples—all taken, be it observed, from my own personal observation—of the manner in which Mrs. Tincklepaw contrives to persecute her harmless fellow-creatures wherever she happens to meet with them:

Let us say I am out walking, and I happen to meet Mr. and Mrs. Tincklepaw. (By the bye, she never lets her husband out of her sight—he is too necessary to the execution of her schemes of petty torment. And such a noble creature, to be used for so base a purpose! He stands six feet two, and is additionally distinguished by a glorious and majestic stoutness, which has no sort of connection with the comparatively comic element of fat. His nature, considering what a wife he has got, is inexcusably meek and patient. Instead of answering her, he strokes his magnificent flaxen whiskers, and looks up resignedly at the sky. I sometimes fancy that he stands too high to hear what his dwarf of a wife says. For his sake, poor man, I hope this view of the matter may be the true one.)