Imagine Mr. Spoke Wheeler getting an invitation to one of those brilliant suppers which assisted in making the evenings of the sparkling Endless so attractive to his friends and admirers. See him sitting modestly at the table with every appearance in his face and manner of being the most persistent and reliable of listeners. Endless takes the measure of his man, as he too confidently believes, in one bright glance—thinks to himself, Here is a new worshipper to astonish; here is the conveniently dense and taciturn human pedestal on which I can stand to let off my fireworks—plunges his knife and fork, gaily hospitable, into the dish before him (let us say a turkey and truffles, for Endless is a gastronome as well as a wit), and starts off with one of those "fertile allusions," for which he was so famous.
"I never carve turkey without thinking of what Madame de Pompadour said to Louis the Fifteenth," Endless begins in his most off-hand manner. "I refer to the time when the superb Frenchwoman first came to court, and the star of the fair Chateauroux waned before her. Who remembers what the Pompadour said when the king insisted on carving the turkey?"
Before the company can beg Endless, as usual, to remember for them, Mr. Spoke Wheeler starts into life and seizes the subject.
"What a vicious state of society it was in the time of Madame de Pompadour!" he says, with moral severity. "Who can wonder that it led to the French Revolution?"
Endless feels that his first effort for the evening is nipped in the bud, and that the new guest is not to be depended on as a listener. He, however, waits politely, and every one else waits politely to hear something more about the French Revolution. Mr. Spoke Wheeler has not another word to say. He has snatched his subject—has exhausted it—and is now waiting, with an expectant smile on his face, to lay hands on another. Disastrous silence reigns, until Mr. Endless, as host and wit, launches a new topic in despair.
"Don't forget the salad, gentlemen," he exclaims. "The emblem, as I always fancy, of human life. The sharp vinegar corrected by the soft oil, just as the misfortune of one day is compensated by the luck of another. Heigho! let moralists lecture as they will, what a true gambler's existence ours is, by the very nature of it! Love, fame, wealth, are the stakes we all play for; the world is the table; Death keeps the house, and Destiny shuffles the cards. According to my definition, gentlemen, man is a gambling animal, and woman——" Endless pauses for a moment, and lifts the glass to his lips to give himself a bacchanalian air before he amazes the company with a torrent of eloquence on the subject of woman. Unhappy man! in that one moment Mr. Spoke Wheeler seizes on his host's brilliant gambling metaphor, and runs away with it as his own property immediately.
"The worst of gambling," he says, with a look of ominous wisdom, "is, that when once a man takes to it, he can never be got to give it up again. It always ends in ruin. I know a man whose son is in the Fleet, and whose daughter is a maid-of-all-work at a lodging-house. The poor devil himself once had twenty thousand pounds, and he now picks up a living by writing begging-letters. All through gambling. Degrading vice, certainly; ruins a man's temper and health, too, as well as his property. Ah! a very degrading vice—very much so indeed!"
"I am afraid, my dear sir, you have no vices," says Endless, getting angry and sarcastic as a fresh pause follows this undeniable commonplace. "The bottle stands with you. Do you abjure even that most amiable of human failings—the cheerful glass? Ha!" exclaims Endless, seeing that his guest is going to speak again, and vainly imagining that he can cut him short this time. "Ha! what a debt we owe to the first man who discovered the true use of the grape! How drunk he must have got in making his immortal preliminary experiments! How often his wife must have begged him to consider his health and his respectability, and give up all further investigations! How he must have shocked his family with perpetual hiccups, and puzzled the medical men of the period with incurable morning headaches! To the health of that marvellous, that magnificent, that inestimable human being, the first Toper in the world! The patriarchal Bacchus quaffing in his antediluvian vineyard! What a picture, gentlemen; what a subject for our artists! Scumble, my dear friend," continues Endless, breathlessly, feeling that Mr. Spoke Wheeler has got his topic again, and anxious to secure assistance in preventing that persistent gentleman from making any use of the stolen property—"Scumble, your pencil alone is worthy of the subject. Tell us, my prince of painters, how would you treat it?"
The prince of painters has his mouth full of turkey, and looks more puzzled than flattered by this complimentary appeal. He hesitates, and Mr. Spoke Wheeler darts into the conversation on the subject of drunkenness, forthwith.
"I'll tell you what," says the Talk-Stopper, "we may all joke about drunkenness as much as we please—I'm no saint, and I like a joke as well as anybody—but it's a deuced serious thing for all that. Seven-tenths of the crime in this country is owing to drunkenness; and of all the incurable diseases that baffle the doctors, delirium tremens is (next to hydrophobia) one of the worst. I like a cheerful glass myself—and this is uncommonly good wine we are drinking now—but there's more than you think for to be said on the temperance side of the question; there is, indeed!"