(Another necessary answer.)
"We said, 'You are studying papa's feelings, dear—you are afraid of being taken for our youngest sister if you go in your hair,—and it is on papa's account that you wear a cap. Sly mamma!'—Have you been introduced to papa?"
Later in the evening my bachelor friend is presented to Miss Rose. He asks for the honour of dancing with her. She inquires if it is for the waltz, and hearing that it is, draws back and curtsies apologetically.
"Thank you, I must keep the waltz for my brother George. My sister and I always keep waltzes for our brother George."
My bachelor draws back. The dance proceeds. He hears a soft voice behind him. It is Miss Violet who is speaking.
"You are a judge of waltzing?" she says, in tones of the gentlest insinuation. "Do pray look at George and Rose. No, thank you: I never dance when George and Rose are waltzing. It is a much greater treat to me to look on. I always look on. I do, indeed."
Perhaps my bachelor does not frequent balls. It is of no consequence. Let him be a diner-out; let him meet my domestic sample at the social board; and he will only witness fresh instances of that all-absorbing interest in each other, which is the remarkable peculiarity of the whole Ducksey family, and of the young ladies in particular. He will find them admiring one another with the same touching and demonstrative affection over the dishes on the dinner-table, as amid the mazes of the dance. He will hear from the venerable Mr. Ducksey that George never gave him a moment's uneasiness from the hour of his birth. He will hear from Mrs. Ducksey that her one regret in this life is, that she can never be thankful enough for her daughters. And (to return to the young ladies, who are the main objects of these remarks), he will find, by some such fragments of dialogue as the following, that no general subjects of conversation whatever have the power of alluring the minds of the two Miss Duckseys from the contemplation of their own domestic interests, and the faithful remembrance of their own particular friends.
It is the interval, let us say, between the removal of the fish and the appearance of the meat. The most brilliant man in the company has been talking with great sprightliness and effect; has paused for a moment to collect his ideas before telling one of the good stories for which he is famous; and is just ready to begin—when Miss Rose stops him and silences all her neighbours by anxiously addressing her sister, who sits opposite to her at the table.
"Violet, dear."
"Yes, dear."