Let me see; where was I when the Trovatore began? At the following passage apparently, for the sentence is left unfinished.
"The farther we enter into this interesting subject, the more light"—— What had I got to say about light, when the Trovatore began? Was it, "flows in upon us"? No; nothing so commonplace as that. I had surely a good long metaphor, and a fine round close to the sentence. "The more light"——shines? beams? bursts? dawns? floods? bathes? quivers? Oh, me! what was the precious next word I had in my head, when the Trovatore took possession of my poor crazy brains? It is useless to search for it. Strike out "the more light," and try something else.
"The farther we enter into this interesting subject, the more prodigally we find scattered before us the gems of truth which—so seldom ride over to see us now."
"So seldom ride over to see us now?" Mercy on me, what am I about? Ending my unfortunate sentence by mechanically taking down a few polite words, spoken by the melodious voice of one of the charming girls on the garden-terrace under my window. What do I hear, in a man's voice? "Regret being so long an absentee, but my schools and my poor"—Oh, a young clerical visitor; I know him by his way of talking. All young clergymen speak alike—who teaches them, I wonder? Let me peep out of window.
I am right. It is a young clergyman—no whiskers, apostolic hair, sickly smile, long frock coat, a wisp of muslin round his neck, and a canonical black waistcoat with no gap in it for the display of profane linen. The charming girl is respectfully devouring him with her eyes. Are they going to have their morning chat under my window? Evidently they are. This is pleasant. Every word of their small, fluent, ceaseless, sentimental gabble comes into my room. If I ask them to get out of hearing I am rude. If I go to the window, and announce my presence by a cough, I confuse the charming girl. No help for it, but to lay the pen down again, and wait. This is a change for the worse, with a vengeance. The Trovatore was something pleasant to listen to; but the reverend gentleman's opinions on the terrace flowers which he has come to admire; on the last volume of modern poetry which he has borrowed from the charming girl; on the merits of the church system in the Ages of Faith, and on the difficulties he has had to contend with in his Infant School, are, upon the whole, rather wearisome to listen to. And this is the house that I entered in the full belief that it would offer me the luxury of perfect quiet to work in! And down stairs sits Lady Jinkinson, firmly believing that she has given me such an opportunity of distinguishing myself with my pen, as I have never before enjoyed in all my life! Patience, patience.
Half an hour; three quarters of an hour. Do I hear him taking his leave? Yes, at last. Pen again; paper again. Where was I?
"The farther we enter into this interesting subject, the more prodigally do we find scattered before us the gems of truth, which"——
What was I going to say the gems of truth did, when the young clergyman and the charming girl began their sentimental interview on the terrace? Gone—utterly gone. Strike out the gems of truth, and try another way.
"The farther we enter into this interesting subject, the more its vast capabilities"——
A knock at the door.