"You can beg your husband to light me down stairs," replied Poulailler. He spoke, pressed their hands, dropped a generous tear, and departed. At that touching moment, his own adopted father would not have known him.

This last anecdote closes the record of Poulailler's career in Paris. The lighter and more agreeable aspects of that career have hitherto been designedly presented, in discreet remembrance of the contrast which the tragic side of the picture must now present. Comedy and Sentiment, twin sisters of French extraction, farewell! Horror enters next on the stage—and enters welcome, in the name of the Fiend-Fisherman's Adopted Son.

IV.—His Exit from the Scene.

The nature of Poulailler's more serious achievements in the art of robbery may be realised by reference to one terrible fact. In the police records of the period, more than one hundred and fifty men and women are reckoned up as having met their deaths at the hands of Poulailler and his band. It was not the practice of this formidable robber to take life as well as property, unless life happened to stand directly in his way—in which case he immediately swept off the obstacle without hesitation and without remorse. His deadly determination to rob, which was thus felt by the population in general, was matched by his deadly determination to be obeyed, which was felt by his followers in particular. One of their number, for example, having withdrawn from his allegiance, and having afterwards attempted to betray his leader, was tracked to his hiding-place in a cellar, and was there walled up alive in Poulailler's presence; the robber composing the unfortunate wretch's epitaph, and scratching it on the wet plaster with his own hand. Years afterwards, the inscription was noticed, when the house fell into the possession of a new tenant, and was supposed to be nothing more than one of the many jests which the famous robber had practised in his time. When the plaster was removed, the skeleton fell out, and testified that Poulailler was in earnest.

To attempt the arrest of such a man as this by tampering with his followers, was practically impossible. No sum of money that could be offered would induce any one of the members of his band to risk the fatal chance of his vengeance. Other means of getting possession of him had been tried, and tried in vain. Five times over, the police had succeeded in tracking him to different hiding-places; and on all five occasions, the women—who adored him for his gallantry, his generosity, and his good looks—had helped him to escape. If he had not unconsciously paved the way to his own capture, first by eloping with Mademoiselle Wilhelmina de Kirbergen, and secondly by maltreating her, it is more than doubtful whether the long arm of the law would ever have reached far enough to fasten its grasp on him. As it was, the extremes of love and hatred met at last in the bosom of the devoted Wilhelmina; and the vengeance of a neglected woman accomplished what the whole police force of Paris had been powerless to achieve.

Poulailler, never famous for the constancy of his attachments, had wearied, at an early period, of the companion of his flight from Germany—but Wilhelmina was one of those women whose affections, once aroused, will not take No for an answer. She persisted in attaching herself to a man who had ceased to love her. Poulailler's patience became exhausted; he tried twice to rid himself of his unhappy mistress—once by the knife and once by poison—and failed on both occasions. For the third and last time, by way of attempting an experiment of another kind, he established a rival to drive the German woman out of the house. From that moment his fate was sealed. Maddened by jealous rage, Wilhelmina cast the last fragments of her fondness to the winds. She secretly communicated with the police—and Poulailler met his doom.

A night was appointed with the authorities; and the robber was invited by his discarded mistress to a farewell interview. His contemptuous confidence in her fidelity rendered him careless of his customary precautions. He accepted the appointment; and the two supped together, on the understanding that they were henceforth to be friends, and nothing more. Towards the close of the meal, Poulailler was startled by a ghastly change in the face of his companion.

"What is wrong with you?" he asked.

"A mere trifle," she answered, looking at her glass of wine. "I can't help loving you still, badly as you have treated me. You are a dead man, Poulailler—and I shall not survive you."

The robber started to his feet, and seized a knife on the table.