I open the Second Part, between six and seven weeks later, on the ninth of August.
How did the time pass at Dimchurch in that interval?
Searching backwards in my memory, I call to life again the domestic history of the six weeks. It looks, on retrospection, miserably dull and empty of incident. I wonder when I contemplate it now, how we got through that weary interval—how we bore that forced inaction, that unrelieved oppression of suspense.
Changing from bed-room to sitting-room, from sitting-room back to bed-room; with the daylight always shut out; with the bandages always on, except when the surgeon looked at her eyes; Lucilla bore the imprisonment—and worse than the imprisonment, the uncertainty—of her period of probation, with the courage that can endure anything, the courage sustained by Hope. With books, with music, with talk—above all, with Love to help her—she counted her way calmly through the dull succession of hours and days till the time came which was to decide the question in dispute between the oculists—the terrible question of which of the two, Mr. Sebright or Herr Grosse, was right.
I was not present at the examination which finally decided all doubt. I joined Oscar in the garden—quite as incapable as he was of exerting the slightest self-control. We paced silently backwards and forwards on the lawn, like two animals in a cage. Zillah was the only witness present when the German examined our poor darling's eyes; Nugent engaging to wait in the next room and announce the result from the window. As the event turned out, Herr Grosse was beforehand with him. Once more we heard his broken English shouting, "Hi-hi-hoi! hoi-hi! hoi-hi!" Once more, we beheld his huge silk handkerchief waving at the window. I turned sick and faint under the excitement of the moment—under the rapture (it was nothing less) of hearing those three electrifying words: "She will see!" Mercy! how we did abuse Mr. Sebright, when we were all reunited again in Lucilla's room!
The first excitement over, we had our difficulties to contend with next.
From the moment when she was positively informed that the operation had succeeded, our once-patient Lucilla developed into a new being. She now rose in perpetual revolt against the caution which still deferred the day on which she was to be allowed to make the first trial of her sight. It required all my influence, backed by Oscar's entreaties, and strengthened by the furious foreign English of our excellent German surgeon (Herr Grosse had a temper of his own, I can tell you!) to prevent her from breaking through the medical discipline which held her in its grasp. When she became quite unmanageable, and vehemently abused him to his face, our good Grosse used to swear at her, in a compound bad language of his own, with a tremendous aspiration at the beginning of it, which always set matters right by making her laugh. I see him again as I write, leaving the room on these occasions, with his eyes blazing through his spectacles, and his shabby hat cocked sideways on his head. "Soh, you little-spitfire-Feench! If you touch that bandages when I have put him on—Ho-Damn-Damn! I say no more. Good-bye!"
From Lucilla I turn to the twin-brothers next.
Tranquilized as to the future, after his interview with Mr. Sebright, Oscar presented himself at his best during the time of which I am now writing. Lucilla's main reliance in her days in the darkened room, was on what her lover could do to relieve and to encourage her. He never once failed her; his patience was perfect; his devotion was inexhaustible. It is sad to say so, in view of what happened afterwards; but I only tell a necessary truth when I declare that he immensely strengthened his hold on her affections, in those last days of her blindness when his society was most precious to her. Ah, how fervently she used to talk of him when she and I were left together at night! Forgive me if I leave this part of the history of the courtship untold. I don't like to write of it—I don't like to think of it. Let us get on to something else.
Nugent comes next. I would give a great deal, poor as I am, to be able to leave him out. It is not to be done. I must write about that lost wretch, and you must read about him, whether we like it or not.