I had just decided that the blue merino jacket was an article of wearing apparel which had done its duty, and earned its right to final retirement from the scene—when a plaintive cry reached my ear, through the open door which led into the back garden.
I stopped, and looked at Mrs. Finch.
The cry was repeated, louder and nearer: recognizable this time as a cry in a child's voice. The door of the room had been left ajar, when we sent the messenger back to the nursery. I threw it open, and found myself face to face with Jicks in the passage.
I felt every nerve in my body shudder at the sight of the child.
The poor little thing was white and wild with terror. She was incapable of uttering a word. When I knelt down to fondle and soothe her, she caught convulsively at my hand, and attempted to raise me. I got on my feet again. She repeated her dumb cry more loudly—and tried to drag me out of the house. She was so weak that she staggered under the effort. I took her up in my arms. One of my hands, as I embraced her, touched the top of her frock, just below the back of her neck. I felt something on my fingers. I looked at them. Gracious God! I was stained with blood!
I turned the child round. My own blood froze. Her mother, standing behind me, screamed with horror.
The dear little thing's white frock was spotted and splashed with wet blood. Not her own blood. There was not a scratch on her. I looked closer at the horrid marks. They had been drawn purposely on her—drawn, as it seemed, with a finger. I took her out into the light. It was writing! A word had been feebly traced on the back of her frock. I made out something like the letter "H." Then a letter which it was impossible to read.
Then another next to it, which might have been "L," or might have been "J." Then a last letter, which I guessed to be "P."
Was the word—"Help"?
Yes!—traced on the back of the child's frock, with a finger dipped in blood—"HELP."