"Sir, in a few words,
Taste them part of the apple,
Or my love thou shalt lose!
See, take this fair apple,
Or surely between thee and thy wife
The love shall utterly fail,
If thou wilt not eat of it!"[4]
The stage direction now proceeds:—"Adam receiveth the apple and tasteth it, and so repenteth and casteth it away. Eve looketh on Adam very strangely and speaketh not anything." During this pause, the "conveyor" is told "to get the fig-leaves ready." Then Lucifer is ordered to "come out of the serpent and creep on his belly to hell;" Adam and Eve receive the curse, and depart out of Paradise, "showing a spindle and distaff"—no badly-conceived emblem of the labour to which they are henceforth doomed. And thus the second act terminates.
The third act treats of Cain and Abel; and is properly opened by an impersonation of Death. After which Cain and Abel appear to sacrifice.
Cain makes his offering of the first substance that comes to hand—"dry cow-dung"(!); and tells Abel that he is a "dolthead" and "a frothy fool" for using anything better. "Abel is stricken with a jawbone and dieth; Cain casteth him into a ditch." The effect of the first murder on the minds of our first parents, is delineated in some speeches exhibiting a certain antique simplicity of thought, which almost rises to the poetical by its homely adherence to nature, and its perfect innocence of effort, artifice, or display. The banishment of Cain, still glorying in his crime, follows the lamentations of Adam and Eve for the death of Abel; and the act is closed by Adam's announcement of the birth of Seth.
The fourth act relates the deaths of Cain and Adam, and contains some of the most eccentric, and also, some of the most elevated writing in the play. Lamech opens the scene, candidly and methodically exposing his own character in these lines:—
"Sure I am the first
That ever yet had two wives!
And maidens in sufficient plenty
They are to me. I am not dainty,
I can find them where I will;
Nor do I spare of them
In anywise one that is handsome.
But I am wondrous troubled,
Scarce do I see one glimpse
What the devil shall be done!"
In this vagabond frame of mind Lamech goes out hunting, with bow and arrow, and shoots Cain, accidentally, in a bush. When Cain falls, Lamech appeals to his servant, to know what is it that he has shot. The servant declares that it is "hairy, rough, ugly, and a buck-goat of the night." Cain, however, discovers himself before he dies. There is something rudely dreary and graphic about his description of his loneliness, bare as it is of any recommendation of metaphors or epithets:
"Deformed I am very much,
And overgrown with hair;
I do live continually in heat or cold frost,
Surely night and day;
Nor do I desire to see the son of man,
With my will at any time;
But accompany most time with all the beasts."
Lamech, discovering the fatal error that he has committed, kills his servant in his anger; and the scene ends with "the devils carrying them away with great noise to hell."
The second scene is between Adam and his son Seth; and here, the old dramatist often rises to an elevation of poetical feeling, which, judging from the preceding portions of the play, we should not have imagined he could reach. Barbarous as his execution may be, the simple beauty of his conception often shines through it faintly, but yet palpably, in this part of the drama.