Who do you think has invited Amelius Goldenheart to luncheon? Not Papa Farnaby, who only invites him to dinner. Not I, it is needless to say. Who is it, then? Mamma Farnaby herself. He has actually so interested her that she has been thinking of him, and dreaming of him, in his absence!
I heard her last night, poor thing, talking and grinding her teeth in her sleep; and I went into her room to try if I could quiet her, in the usual way, by putting my cool hand on her forehead, and pressing it gently. (The old doctor says it’s magnetism, which is ridiculous.) Well, it didn’t succeed this time; she went on muttering, and making that dreadful sound with her teeth. Occasionally a word was spoken clearly enough to be intelligible. I could make no connected sense of what I heard; but I could positively discover this—that she was dreaming of our guest from America!
I said nothing about it, of course, when I went upstairs with her cup of tea this morning. What do you think was the first thing she asked for? Pen, ink, and paper. Her next request was that I would write Mr. Goldenheart’s address on an envelope. “Are you going to write to him?” I asked. “Yes,” she said, “I want to speak to him, while John is out of the way at business,” “Secrets?” I said, turning it off with a laugh. She answered, speaking gravely and earnestly. “Yes; secrets.” The letter was written, and sent to his hotel, inviting him to lunch with us on the first day when he was disengaged. He has replied, appointing the day after tomorrow. By way of trying to penetrate the mystery, I inquired if she wished me to appear at the luncheon. She considered with herself, before she answered that. “I want him to be amused, and put in a good humour,” she said, “before I speak to him. You must lunch with us—and ask Cecilia.” She stopped, and considered once more. “Mind one thing,” she went on. “Your uncle is to know nothing about it. If you tell him, I will never speak to you again.”
Is this not extraordinary? Whatever her dream may have been, it has evidently produced a strong impression on her. I firmly believe she means to take him away with her to her own room, when the luncheon is over. Dearest Cecilia, you must help me to stop this! I have never been trusted with her secrets; they may, for all I know, be innocent secrets enough, poor soul! But it is surely in the highest degree undesirable that she should take into her confidence a young man who is only an acquaintance of ours: she will either make herself ridiculous, or do something worse. If Mr. Farnaby finds it out, I really tremble for what may happen.
For the sake of old friendship, don’t leave me to face this difficulty by myself. A line, only one line, dearest, to say that you will not fail me.
BOOK THE THIRD. MRS. FARNABY’S FOOT
CHAPTER 1
It is an afternoon concert; and modern German music was largely represented on the programme. The patient English people sat in closely-packed rows, listening to the pretentious instrumental noises which were impudently offered to them as a substitute for melody. While these docile victims of the worst of all quackeries (musical quackery) were still toiling through their first hour of endurance, a passing ripple of interest stirred the stagnant surface of the audience caused by the sudden rising of a lady overcome by the heat. She was quickly led out of the concert-room (after whispering a word of explanation to two young ladies seated at her side) by a gentleman who made a fourth member of the party. Left by themselves, the young ladies looked at each other, whispered to each other, half rose from their places, became confusedly conscious that the wandering attention of the audience was fixed on them, and decided at last on following their companions out of the hall.