"I don't believe the man lives," he said, "who enjoys Contrast as I do.—What do you want now?"

This question was addressed to Gloody, who had just entered the room. He touched the earthenware teapot. His master answered: "Let it alone."

"I make the tea at other times," the man persisted, looking at me.

"What does he say? Write it down for me, Mr. Roylake. I beg you will write it down."

There was anger in his eyes as he made that request. I took his book, and wrote the words—harmless words, surely? He read them, and turned savagely to his unfortunate servant.

"In the days when you were a ruffian in the prize-ring, did the other men's fists beat all the brains out of your head? Do you think you can make tea that is fit for Mr. Roylake to drink?"

He pointed to an open door, communicating with another bedroom. Gloody's eyes rested steadily on Cristel: she failed to notice him, being occupied at the moment in replacing the pin of a brooch which had slipped out of her dress. The man withdrew into the second bedroom, and softly closed the door.

Our host recovered his good humor. He took a wooden stool, and seated himself by Cristel.

"Borrowed furniture," he said, "as well as borrowed tea-things. What a debt of obligation I owe to your excellent father. How quiet you are, dear girl. Do you regret having followed the impulse which made you kindly offer to drink tea with us?" He suddenly turned to me. "Another proof, Mr. Roylake, of the sisterly interest that she feels in you; she can't hear of your coming to my room, without wanting to be with you. Ah, you possess the mysterious attractions which fascinate the sex. One of these days, some woman will love you as never man was loved yet." He addressed himself again to Cristel. "Still out of spirits? I dare say you are tired of waiting for your tea. No? You have had tea already? It's Gloody's fault; he ought to have told me that seven o'clock was too late for you. The poor devil deserved that you should take no notice of him when he looked at you just now. Are you one of the few women who dislike an ugly man? Women in general, I can tell you, prefer ugly men. A handsome man matches them on their own ground, and they don't like that. 'We are so fond of our ugly husbands; they set us off to such advantage.' Oh, I don't report what they say; I speak the language in which they think.—Mr. Roylake, does it strike you that the Cur is a sad cynic? By-the-by, do you call me 'the Cur' (as I suggested) when you speak of me to other people—to Miss Cristel, for instance? My charming young friends, you both look shocked; you both shake your heads. Perhaps I am in one of my tolerant humors to-day; I see nothing disgraceful in being a Cur. He is a dog who represents different breeds. Very well, the English are a people who represent different breeds: Saxons, Normans, Danes. The consequence, in one case, is a great nation. The consequence, in the other case, is the cleverest member of the whole dog family—as you may find out for yourself if you will only teach him. Ha—how I am running on. My guests try to slip in a word or two, and can't find their opportunity. Enjoyment, Miss Cristel. Excitement, Mr. Roylake. For more than a year past, I have not luxuriated in the pleasures of society. I feel the social glow; I love the human family; I never, never, never was such a good man as I am now. Let vile slang express my emotions: isn't it jolly?"

Cristel and I stopped him, at the same moment. We instinctively lifted our hands to our ears.