The easy tone in which he put the question—a tone, as it were, of proprietorship in “Grace”—jarred on Lady Janet at the moment. For the first time in her life she found herself comparing Horace with Julian—to Horace’s disadvantage. He was rich; he was a gentleman of ancient lineage; he bore an unblemished character. But who had the strong brain? who had the great heart? Which was the Man of the two?
“Nobody can see her,” answered Lady Janet. “Not even you!”
The tone of the reply was sharp, with a dash of irony in it. But where is the modern young man, possessed of health and an independent income, who is capable of understanding that irony can be presumptuous enough to address itself to him? Horace (with perfect politeness) declined to consider himself answered.
“Does your ladyship mean that Miss Roseberry is in bed?” he asked.
“I mean that Miss Roseberry is in her room. I mean that I have twice tried to persuade Miss Roseberry to dress and come downstairs, and tried in vain. I mean that what Miss Roseberry refuses to do for Me, she is not likely to do for You—”
How many more meanings of her own Lady Janet might have gone on enumerating, it is not easy to calculate. At her third sentence a sound in the library caught her ear through the incompletely closed door and suspended the next words on her lips. Horace heard it also. It was the rustling sound (traveling nearer and nearer over the library carpet) of a silken dress.
(In the interval while a coming event remains in a state of uncertainty, what is it the inevitable tendency of every Englishman under thirty to do? His inevitable tendency is to ask somebody to bet on the event. He can no more resist it than he can resist lifting his stick or his umbrella, in the absence of a gun, and pretending to shoot if a bird flies by him while he is out for a walk.)
“What will your ladyship bet that this is not Grace?” cried Horace.
Her ladyship took no notice of the proposal; her attention remained fixed on the library door. The rustling sound stopped for a moment. The door was softly pushed open. The false Grace Roseberry entered the room.
Horace advanced to meet her, opened his lips to speak, and stopped—struck dumb by the change in his affianced wife since he had seen her last. Some terrible oppression seemed to have crushed her. It was as if she had actually shrunk in height as well as in substance. She walked more slowly than usual; she spoke more rarely than usual, and in a lower tone. To those who had seen her before the fatal visit of the stranger from Mannheim, it was the wreck of the woman that now appeared instead of the woman herself. And yet there was the old charm still surviving through it all; the grandeur of the head and eyes, the delicate symmetry of the features, the unsought grace of every movement—in a word, the unconquerable beauty which suffering cannot destroy, and which time itself is powerless to wear out. Lady Janet advanced, and took her with hearty kindness by both hands.