She sat near her writing-table, lying back in her easy-chair—the living realization of the picture which Julian’s description had drawn. Her eyes were fixed on a photographic likeness of Mercy, which was so raised upon a little gilt easel as to enable her to contemplate it under the full light of the lamp. The bright, mobile old face was strangely and sadly changed. The brow was fixed; the mouth was rigid; the whole face would have been like a mask, molded in the hardest forms of passive resistance and suppressed rage, but for the light and life still thrown over it by the eyes. There was something unutterably touching in the keen hungering tenderness of the look which they fixed on the portrait, intensified by an underlying expression of fond and patient reproach. The danger which Julian so wisely dreaded was in the rest of the face; the love which he had so truly described was in the eyes alone. They still spoke of the cruelly profaned affection which had been the one immeasurable joy, the one inexhaustible hope of Lady Janet’s closing life. The brow expressed nothing but her obstinate determination to stand by the wreck of that joy, to rekindle the dead ashes of that hope. The lips were only eloquent of her unflinching resolution to ignore the hateful present and to save the sacred past. “My idol may be shattered, but none of you shall know it. I stop the march of discovery; I extinguish the light of truth. I am deaf to your words; am blind to your proofs. At seventy years old, my idol is my life. It shall be my idol still.”
The silence in the bedroom was broken by a murmuring of women’s voices outside the door.
Lady Janet instantly raised herself in the chair and snatched the photograph off the easel. She laid the portrait face downward, among some papers on the table, then abruptly changed her mind, and hid it among the thick folds of lace which clothed her neck and bosom. There was a world of love in the action itself, and in the sudden softening of the eyes which accompanied it. The next moment Lady Janet’s mask was on. Any superficial observer who had seen her now would have said, “This is a hard woman!”
The door was opened by the maid. Grace Roseberry entered the room.
She advanced rapidly, with a defiant assurance in her manner, and a lofty carriage of her head. She sat down in the chair, to which Lady Janet silently pointed, with a thump; she returned Lady Janet’s grave bow with a nod and a smile. Every movement and every look of the little, worn, white-faced, shabbily dressed woman expressed insolent triumph, and said, as if in words, “My turn has come!”
“I am glad to wait on your ladyship,” she began, without giving Lady Janet an opportunity of speaking first. “Indeed, I should have felt it my duty to request an interview, if you had not sent your maid to invite me up here.”
“You would have felt it your duty to request an interview?” Lady Janet repeated, very quietly. “Why?”
The tone in which that one last word was spoken embarrassed Grace at the outset. It established as great a distance between Lady Janet and herself as if she had been lifted in her chair and conveyed bodily to the other end of the room.
“I am surprised that your ladyship should not understand me,” she said, struggling to conceal her confusion. “Especially after your kind offer of your own boudoir.”
Lady Janet remained perfectly unmoved. “I do not understand you,” she answered, just as quietly as ever.