“A pretty drawing,” he said, in a remarkably quiet tone of voice.
“Ah! and done by such a pretty girl,” said Arthur. “Oh, such a pretty girl! I wish it was not a landscape—I wish it was a portrait of her!”
“You admire her very much?”
Arthur, half in jest, half in earnest, kissed his hand for answer.
“Love at first sight,” said young Holliday, putting the drawing away again. “But the course of it doesn’t run smooth. It’s the old story. She’s monopolized, as usual; trammeled by a rash engagement to some poor man who is never likely to get money enough to marry her. It was lucky I heard of it in time, or I should certainly have risked a declaration when she gave me that drawing. Here, doctor, here is pen, ink, and paper all ready for you.”
“When she gave you that drawing? Gave it? gave it?”
He repeated the words slowly to himself, and suddenly closed his eyes. A momentary distortion passed across his face, and I saw one of his hands clutch up the bedclothes and squeeze them hard. I thought he was going to be ill again, and begged that there might be no more talking. He opened his eyes when I spoke, fixed them once more searchingly on Arthur, and said, slowly and distinctly:
“You like her, and she likes you. The poor man may die out of your way. Who can tell that she may not give you herself as well as her drawing, after all?”
Before young Holliday could answer he turned to me, and said in a whisper: “Now for the prescription.” From that time, though he spoke to Arthur again, he never looked at him more.
When I had written the prescription, he examined it, approved of it, and then astonished us both by abruptly wishing us good-night. I offered to sit up with him, and he shook his head. Arthur offered to sit up with him, and he said, shortly, with his face turned away, “No.” I insisted on having somebody left to watch him. He gave way when he found I was determined, and said he would accept the services of the waiter at the inn.