The dim light of a low gas jet illuminated the upper hall. From below came the faintest murmur of voices. Rosalie led to the hall of the second floor, turned toward the back of the house, opened a door and motioned. He stepped inside; the door closed without noise. He was in black darkness.
His foot found the hassock; he mounted it and adjusted his eye. He was looking into some kind of a living-room or boudoir. On the extreme left of his range of vision he could see a set of dark portières; directly before him was a foolish little white desk, over which burned a gas jet, turned low. That, apparently, was the only illumination in the room. For the rest, he could only see a wall decorated with the tiny frivolities of a boudoir, two chairs, a sewing table. He watched until—his eyes, grown accustomed to the dim light—he discerned every detail. From far below, he heard the subdued hum of a conversation, and made out at length, in the rise and fall of voices, that a man and a woman were speaking. Then even that sound ceased; over the house lay a stillness so heavy that he feared his own breathing.
Gradually, he was aware that someone was playing a piano. It began so gently that he doubted, at first, whether it was not a far echo from one of the houses to right or left. But it increased in volume until he located it definitely in the rooms below. The air, unrecognized at first, called up a memory of old-fashioned parlors and of his grandmother. He found himself struggling for words to fit the tune; and suddenly they sprang into his mind—"Wild roamed an Indian maid, bright Alfaretta." Thrice over the unseen musician played the air, and let it die with a last, lingering chord.
Suddenly his heart gave a great leap. For the first time, something was happening in the room before him. It came first as a slight, padded thump, like bare feet striking the floor. He saw that the portières to left of his range of vision were undulating. They parted—and a pillar of white stood for a moment before them. The thing resolved itself into a human figure, swathed, draped in white, the face concealed by a white veil which fell straight from the head. Now the white figure, with a noiseless, gliding motion, was crossing the room toward the white desk. It stopped, lifted a hand which crept toward the gaslight. With this motion, the veil fell away from the face. The gaslight shone upon it; he could see it in full profile.
It was Annette.
In the space of his long gasp, her hand touched the gas jet. It went out; the room faded into absolute darkness.
And the vision which stood out from the black background made him sway and clutch at the garments in the closet. For her robes radiated dull light, like a coal seen behind ashes. It was as though she were about to burst into flame. On her head gleamed a dull star; from it, the radiance of her robe fell away toward her feet in lesser light, like the tail-streamer of a comet. All emotion of despair, disillusion, rage, were expressed for a moment within him by an emotion of supernatural awe which sent the tremors running from his face to his spine, and his spine to his feet. She stood a perfect phantom of the night, like Annette called back from the dead.
The pillar of dull light was moving now. She had stooped; he heard a faint creak, he imagined that he felt new air. Suddenly, too, a voice which had been droning far away became audible. And now the pillar of light was sinking, sinking through the floor. The feet were gone, the torso; the star of light was level with the floor, was gone. He was looking into darkness.
Mrs. Markham's controlled, vibrant voice rose clearly from below—he caught every word:
"Come, Helen; be strong. He loves you. His love calls you!"