Knowing well what the boy meant about the great strange creature—more than his fighting propensities, deeper than his physical might—Skag assented thoughtfully:
"Yes; I would like to know him better."
CHAPTER XII
Blue Beast
Across the river at the military camp, the cavalry outfits were preparing for a jungle outing. It isn't easy to name the thing they contemplated. Pig-sticking couldn't be called a quest, yet there are "cracks" at the game, quite the same as at polo or billiards.
Horse and man carry their lives on the outside, so to speak. The trick of it all is that a man never knows what the tusker will do. You can't even count on him doing the opposite. And he does it quick. Often he sniffs first, but you don't hear that until after it is done. Men have heard that sniff as they lay under a horse that was kicking its life out; yet the sniff really sounded while they were still in the saddle—the horse still whole.
All the words that have to do with this sport are ugly. It's more like a snort than a sniff. . . . You really must see it. A trampled place in the jungle—tusker at bay—-a mounted sticker on each side waiting for the move. The tusker stands still. He looks nowhere, out of eyes like burning cellars. That is as near as you can come with words—trapdoors opening into cellars, smoke and flame below.
At this moment you are like a negative, being exposed. There is filmed among your enduring pictures thereafter, the raking curving snout, yellow tusks, blue bristling hollows from which the eyes burn. The lances glint green from the creepers. . . .
Then the flick of the head that goes with the snort. The boar isn't there—lanced doubtless. . . . Yes, the cavalry "cracks" get him for the most part and then you hear men's laughter and bits of comment and the strike of a match or two, for very much relished cigarettes. But now and then, the scene shifts too quickly and the other rider may see his friend's mount stand up incredibly gashed—a white horse possibly—and this other must charge and lance true right now, for the boar is waiting for the man in the saddle to come down.
Nobody ever thinks of the boar's part. Queer about that. It's the bad revolting curve that goes with a tusker's snout, in the sag of which the eye is set, that puts him out of reach of decent regard. Only two other curves touch it for malignity—the curve of a hyena's shoulder and the curve of a shark's jaw. Three scavengers that haven't had a real chance. They weren't bred right.