* * * * *

Beth Truba reached her studio again Monday noon. Among the letters in her post-box, was one she felt instinctively to be from Andrew Bedient, though it was post-marked Albany. She hesitated to open the letter at first, for fear that he had attempted to explain his presence in Mrs. Wordling's room. This would affix him eternally to commonness in her mind. He had a right to go to Mrs. Wordling's room, but she had thought him other than the sort which pursues such obvious attractions. Especially after what Cairns had said, she was hurt to meet him there…. Beth found herself thinking at a furious rate, on the mere hazard that the letter was from Bedient….

Were there really such men in the world as the Bedient whom Cairns pictured, and believed in? Personally, she didn't care to experiment, but there was a strange reliance in the thought that there were such men…. The fine nature she wanted to believe in—wouldn't have written!… This one letter alone remained unopened—when the telephone rang.

It was Cairns, who inquired if she had heard aught of his friend…. "I reached town Saturday morning," Cairns went on, "and found a note that he would be away for the day and possibly Sunday; didn't say where nor why. He left no word at the Club. In fact, Mrs. Wordling called me just now to inquire, volunteering that Bedient had been in her world Friday. Excuse me for bothering you. I've an idea this is his way when a gale is blowing in his brain. He pushes out for solitude and sea-room."

Beth had not offered to assist. The Albany letter might not be his. It stared at her now from the library-table, full-formed black writing. There were no two ways about a single letter. It was the writing of a man who had not covered continents of white paper. "Miss Beth Truba" had been put there to stay, with a full pen, and as if pleasing to his sight. She was thinking—it would be well if Mrs. Wordling were always inquiring; and that the day would be spoiled if he had undertaken to explain things in this letter….

Beth crossed to the table, placed the paper-cutter under the flap and slit it across. Just at this moment, the door of the elevator-shaft opened on her floor—and her knocker fell. She tossed the letter under the leather cover of the table, and admitted Vina Nettleton.

FOURTEENTH CHAPTER

THIS CLAY AND PAINT AGE

A new light had come into the studio of Vina Nettleton; and only when at last the light became too strong, and the struggle too close, had she left it to seek her friend Beth Truba. She had not been sleeping, nor remembering to eat; but she had been thinking enough for seven artists, in the long hours, when the light was bad for work. And now the packing was worn from her nerve-ends, so that she wept easily, like a nervous child, or a man undone from drink.

The new force of Andrew Bedient had found in her a larger sensitiveness than even in David Cairns. That long afternoon which he had spent in her place of working and living was to her a visitation, high above the years. She had been amazed at the Grey One, for preserving a semblance of calm. The gratefulness that she had faltered was but a sign of what she felt.