| | PAGE |
| The Old Stage Door Tender | [13] |
| It's Hard to Make the Old Folks Believe It | [22] |
| Union Labor | [28] |
| Martin Lehman Goes to New York | [30] |
| Some Hotel Whys | [43] |
| It Isn't the Coat that Makes the Man | [45] |
| One-Night-Stand Orchestras | [48] |
| "Heart Interest" | [57] |
| Tommie Ryan's Horse | [60] |
| Vaudeville vs. the Legitimate | [70] |
| A Social Session | [75] |
| Bigalow and the Big Six | [81] |
| Never Again | [90] |
| The Artistic Temperament | [93] |
| How Mike Donlin Shrunk | [104] |
| A Night in Bohemia | [109] |
| Breaks | [120] |
| The Difference Between New York and Canandaigua | [123] |
| Let Us Hope | [127] |
| The Old Ship of Zion | [130] |
| Fireman, Save My Child | [137] |
| Playing the English Music Halls | [140] |
| "Woodie" | [151] |
| A Cork Man | [153] |
| The Troubles of the Laugh Getters | [159] |
| Asleep with Her Switch | [165] |
| I Join the Suffragettes | [168] |
| The Perils of a Great City | [174] |
| Do You Believe in Signs? | [177] |
| Closing Number | [180] |