“I always have my doubts about loquacious souls,” Wyllis remarked, with the unbelieving smile that had grown habitual with him.
Margaret went on, not heeding the interruption. “I knew it from the first, when he told me about the suicide of his cousin, the Bernstein boy. That kind of blunt pathos can’t be summoned at will in anybody. The earlier novelists rose to it, sometimes, unconsciously. But last night when I sang for him I was doubly sure. Oh, I haven’t told you about that yet! Better light your pipe again. You see, he stumbled in on me in the dark when I was pumping away at that old parlor organ to please Mrs. Lockhart. It’s her household fetish and I’ve forgotten how many pounds of butter she made and sold to buy it. Well, Eric stumbled in, and in some inarticulate manner made me understand that he wanted me to sing for him. I sang just the old things, of course. It’s queer to sing familiar things here at the world’s end. It makes one think how the hearts of men have carried them around the world, into the wastes of Iceland and the jungles of Africa and the islands of the Pacific. I think if one lived here long enough one would quite forget how to be trivial, and would read only the great books that we never get time to read in the world, and would remember only the great music, and the things that are really worth while would stand out clearly against that horizon over there. And of course I played the intermezzo from ‘Cavalleria Rusticana’ for him; it goes rather better on an organ than most things do. He shuffled his feet and twisted his big hands up into knots and blurted out that he didn’t know there was any music like that in the world. Why, there were tears in his voice, Wyllis! Yes, like Rossetti, I heard his tears. Then it dawned upon me that it was probably the first good music he had ever heard in all his life. Think of it, to care for music as he does and never to hear it, never to know that it exists on earth! To long for it as we long for other perfect experiences that never come. I can’t tell you what music means to that man. I never saw any one so susceptible to it. It gave him speech, he became alive. When I had finished the intermezzo, he began telling me about a little crippled brother who died and whom he loved and used to carry everywhere in his arms. He did not wait for encouragement. He took up the story and told it slowly, as if to himself, just sort of rose up and told his own woe to answer Mascagni’s. It overcame me.”
“Poor devil,” said Wyllis, looking at her with mysterious eyes, “and so you’ve given him a new woe. Now he’ll go on wanting Grieg and Schubert the rest of his days and never getting them. That’s a girl’s philanthropy for you!”
Jerry Lockhart came out of the house screwing his chin over the unusual luxury of a stiff white collar, which his wife insisted upon as a necessary article of toilet while Miss Elliot was at the house. Jerry sat down on the step and smiled his broad, red smile at Margaret.
“Well, I’ve got the music for your dance, Miss Elliot. Olaf Oleson will bring his accordion and Mollie will play the organ, when she isn’t lookin’ after the grub, and a little chap from Frenchtown will bring his fiddle—though the French don’t mix with the Norwegians much.”
“Delightful! Mr. Lockhart, that dance will be the feature of our trip, and it’s so nice of you to get it up for us. We’ll see the Norwegians in character at last,” cried Margaret, cordially.
“See here, Lockhart, I’ll settle with you for backing her in this scheme,” said Wyllis, sitting up and knocking the ashes out of his pipe. “She’s done crazy things enough on this trip, but to talk of dancing all night with a gang of half-mad Norwegians and taking the carriage at four to catch the six o’clock train out of Riverton—well, it’s tommy-rot, that’s what it is!”
“Wyllis, I leave it to your sovereign power of reason to decide whether it isn’t easier to stay up all night than to get up at three in the morning. To get up at three, think what that means! No, sir, I prefer to keep my vigil and then get into a sleeper.”
“But what do you want with the Norwegians? I thought you were tired of dancing.”
“So I am, with some people. But I want to see a Norwegian dance, and I intend to. Come, Wyllis, you know how seldom it is that one really wants to do anything nowadays. I wonder when I have really wanted to go to a party before. It will be something to remember next month at Newport, when we have to and don’t want to. Remember your own theory that contrast is about the only thing that makes life endurable. This is my party and Mr. Lockhart’s; your whole duty to-morrow night will consist in being nice to the Norwegian girls. I’ll warrant you were adept enough at it once. And you’d better be very nice indeed, for if there are many such young valkyrs as Eric’s sister among them, they would simply tie you up in a knot if they suspected you were guying them.”