"It doesn't matter," she murmured.
He reached under the seat for a hatchet and went back to the ravine. Mrs. Forrester sat with her eyes closed, her cheek pillowed on her muff, a faint, soft smile on her lips. The air was still and blue; the Blum boy could almost hear her breathe. When the strokes of the hatchet rang out from the ravine, he could see her eyelids flutter . . . soft shivers went through her body.
The man came back and threw the evergreens into the sleigh. When he got in beside her, she slipped her hand through his arm and settled softly against him. "Drive slowly," she murmured, as if she were talking in her sleep. "It doesn't matter if we are late for dinner. Nothing matters." The ponies trotted off.
The pale Blum boy rose from behind his log and followed the tracks up the ravine. When the orange moon rose over the bluffs, he was still sitting under the cedars, his gun on his knee. While Mrs. Forrester had been waiting there in the sleigh, with her eyes closed, feeling so safe, he could almost have touched her with his hand. He had never seen her before when her mocking eyes and lively manner were not between her and all the world. If it had been Thad Grimes who lay behind that log, now, or Ivy Peters?
But with Adolph Blum her secrets were safe. His mind was feudal; the rich and fortunate were also the privileged. These warm-blooded, quick-breathing people took chances,—followed impulses only dimly understandable to a boy who was wet and weather-chapped all the year; who waded in the mud fishing for cat, or lay in the marsh waiting for wild duck. Mrs. Forrester had never been too haughty to smile at him when he came to the back door with his fish. She never haggled about the price. She treated him like a human being. His little chats with her, her nod and smile when she passed him on the street, were among the pleasantest things he had to remember. She bought game of him in the closed season, and didn't give him away.
VI
It was during that winter, the first one Mrs. Forrester had ever spent in the house on the hill, that Niel came to know her very well. For the Forresters that winter was a sort of isthmus between two estates; soon afterward came a change in their fortunes. And for Niel it was a natural turning-point, since in the autumn he was nineteen, and in the spring he was twenty,—a very great difference.
After the Christmas festivities were over, the whist parties settled into a regular routine. Three evenings a week Judge Pommeroy and his nephew sat down to cards with the Forresters. Sometimes they went over early and dined there. Sometimes they stayed for a late supper after the last rubber. Niel, who had been so content with a bachelor's life, and who had made up his mind that he would never live in a place that was under the control of women, found himself becoming attached to the comforts of a well-conducted house; to the pleasures of the table, to the soft chairs and soft lights and agreeable human voices at the Forresters'. On bitter, windy nights, sitting in his favourite blue chair before the grate, he used to wonder how he could manage to tear himself away, to plunge into the outer darkness, and run down the long frozen road and up the dead street of the town. Captain Forrester was experimenting with bulbs that winter, and had built a little glass conservatory on the south side of the house, off the back parlour. Through January and February the house was full of narcissus and Roman hyacinths, and their heavy, spring-like odour made a part of the enticing comfort of the fireside there.
Where Mrs. Forrester was, dulness was impossible, Niel believed. The charm of her conversation was not so much in what she said, though she was often witty, but in the quick recognition of her eyes, in the living quality of her voice itself. One could talk with her about the most trivial things, and go away with a high sense of elation. The secret of it, he supposed, was that she couldn't help being interested in people, even very commonplace people. If Mr. Ogden or Mr. Dalzell were not there to tell their best stories for her, then she could be amused by Ivy Peters' ruffianly manners, or the soft compliments of old man Elliott when he sold her a pair of winter shoes. She had a fascinating gift of mimicry. When she mentioned the fat iceman, or Thad Grimes at his meat block, or the Blum boys with their dead rabbits, by a subtle suggestion of their manner she made them seem more individual and vivid than they were in their own person. She often caricatured people to their faces, and they were not offended, but greatly flattered. Nothing pleased one more than to provoke her laughter. Then you felt you were getting on with her. It was her form of commenting, of agreeing with you and appreciating you when you said something interesting,—and it often told you a great deal that was both too direct and too elusive for words.
Long, long afterward, when Niel did not know whether Mrs. Forrester were living or dead, if her image flashed into his mind, it came with a brightness of dark eyes, her pale triangular cheeks with long earrings, and her many-coloured laugh. When he was dull, dull and tired of everything, he used to think that if he could hear that long-lost lady laugh again, he could be gay.