Never reconciled to American rule, Chavez lived in seclusion when he was in Santa Fé. At the first rumour of an Indian outbreak, near or far, he rode off to add a few more scalps to his record. He distrusted the new Bishop because of his friendliness toward Indians and Yankees. Besides, Chavez was a Martinez man. He had come here to-night only in compliment to Señora Olivares; he hated to spend an evening among American uniforms.
When the banjo player was exhausted, Father Joseph said that as for him, he would like a little drawing-room music, and he led Madame Olivares to her harp. She was very charming at her instrument; the pose suited her tip-tilted canary head, and her little foot and white arms.
This was the last time the Bishop heard her sing "La Paloma" for her admiring husband, whose eyes smiled at her even when his heavy face seemed asleep.
Olivares died on Septuagesima Sunday—fell over by his own fire-place when he was lighting the candles after supper, and the banjo boy was sent running for the Bishop. Before midnight two of the Olivares brothers, half drunk with brandy and excitement, galloped out of Santa Fé, on the road to Albuquerque, to employ an American lawyer.
2
THE LADY
ANTONIO OLIVARES'S funeral was the most solemn and magnificent ever seen in Santa Fé, but Father Vaillant was not there. He was off on a long missionary journey to the south, and did not reach home until Madame Olivares had been a widow for some weeks. He had scarcely got off his riding-boots when he was called into Father Latour's study to see her lawyer.
Olivares had entrusted the management of his affairs to a young Irish Catholic, Boyd O'Reilly, who had come out from Boston to practise law in the new Territory. There were no steel safes in Santa Fé at that time, but O'Reilly had kept Olivares's will in his strong-box. The document was brief and clear: Antonio's estate amounted to about two hundred thousand dollars in American money (a considerable fortune in those days). The income therefrom was to be enjoyed by "my wife, Isabella Olivares, and her daughter, Inez Olivares," during their lives, and after their decease his property was to go to the Church, to the Society for the Propagation of the Faith. The codicil, in favour of the Cathedral fund, had, unfortunately, never been added to the will.
The young lawyer explained to Father Vaillant that the Olivares brothers had retained the leading legal firm of Albuquerque and were contesting the will. Their point of attack was that Señorita Inez was too old to be the daughter of the Señora Olivares. Don Antonio had been a promiscuous lover in his young days, and his brothers held that Inez was the offspring of some temporary attachment, and had been adopted by Doña Isabella. O'Reilly had sent to New Orleans for an attested copy of the marriage record of the Olivares couple, and the birth certificate of Señorita Inez. But in Kentucky, where the Señora was born, no birth records were kept; there was no document to prove the age of Isabella Olivares, and she could not be persuaded to admit her true age. It was generally believed in Santa Fé that she was still in her early forties, in which case she would not have been more than six or eight years old at the date when Inez was born. In reality the lady was past fifty, but when O'Reilly had tried to persuade her to admit this in court, she simply refused to listen to him. He begged the Bishop and the Vicar to use their influence with her to this end.
Father Latour shrank from interfering in so delicate a matter, but Father Vaillant saw at once that it was their plain duty to protect the two women and, at the same time, secure the rights of the Propaganda. Without more ado he threw on his old cloak over his cassock, and the three men set off through the red mud to the Olivares hacienda in the hills east of the town.
Father Joseph had not been to the Olivares' house since the night of the New Year's party, and he sighed as he approached the place, already transformed by neglect. The big gate was propped open by a pole because the iron hook was gone, the courtyard was littered with rags and meat bones which the dogs had carried there and no one had taken away. The big parrot cage, hanging in the portale, was filthy, and the birds were squalling. When O'Reilly rang the bell at the outer gate, Pablo, the banjo player, came running out with tousled hair and a dirty shirt to admit the visitors. He took them into the long living-room, which was empty and cold, the fire-place dark, the hearth unswept. Chairs and window-sills were deep in red dust, the glass panes dirty, and streaked as if by tear-drops. On the writing-table were empty bottles and sticky glasses and cigar ends. In one corner stood the harp in its green cover.