One could hang about the drugstore; and listen to the old men who sat there every evening, talking politics and telling raw stories. One could go to the cigar factory and chat with the old German who raised canaries for sale, and look at his stuffed birds. But whatever you began with him, the talk went back to taxidermy. There was the depot, of course; I often went down to see the night train come in, and afterward sat awhile with the disconsolate telegrapher who was always hoping to be transferred to Omaha or Denver, ‘where there was some life.’ He was sure to bring out his pictures of actresses and dancers. He got them with cigarette coupons, and nearly smoked himself to death to possess these desired forms and faces. For a change, one could talk to the station agent; but he was another malcontent; spent all his spare time writing letters to officials requesting a transfer. He wanted to get back to Wyoming where he could go trout-fishing on Sundays. He used to say ‘there was nothing in life for him but trout streams, ever since he’d lost his twins.’
These were the distractions I had to choose from. There were no other lights burning downtown after nine o’clock. On starlight nights I used to pace up and down those long, cold streets, scowling at the little, sleeping houses on either side, with their storm-windows and covered back porches. They were flimsy shelters, most of them poorly built of light wood, with spindle porch-posts horribly mutilated by the turning-lathe. Yet for all their frailness, how much jealousy and envy and unhappiness some of them managed to contain! The life that went on in them seemed to me made up of evasions and negations; shifts to save cooking, to save washing and cleaning, devices to propitiate the tongue of gossip. This guarded mode of existence was like living under a tyranny. People’s speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark. The growing piles of ashes and cinders in the back yards were the only evidence that the wasteful, consuming process of life went on at all. On Tuesday nights the Owl Club danced; then there was a little stir in the streets, and here and there one could see a lighted window until midnight. But the next night all was dark again.
After I refused to join ‘the Owls,’ as they were called, I made a bold resolve to go to the Saturday night dances at Firemen’s Hall. I knew it would be useless to acquaint my elders with any such plan. Grandfather didn’t approve of dancing, anyway; he would only say that if I wanted to dance I could go to the Masonic Hall, among ‘the people we knew.’ It was just my point that I saw altogether too much of the people we knew.
My bedroom was on the ground floor, and as I studied there, I had a stove in it. I used to retire to my room early on Saturday night, change my shirt and collar and put on my Sunday coat. I waited until all was quiet and the old people were asleep, then raised my window, climbed out, and went softly through the yard. The first time I deceived my grandparents I felt rather shabby, perhaps even the second time, but I soon ceased to think about it.
The dance at the Firemen’s Hall was the one thing I looked forward to all the week. There I met the same people I used to see at the Vannis’ tent. Sometimes there were Bohemians from Wilber, or German boys who came down on the afternoon freight from Bismarck. Tony and Lena and Tiny were always there, and the three Bohemian Marys, and the Danish laundry girls.
The four Danish girls lived with the laundryman and his wife in their house behind the laundry, with a big garden where the clothes were hung out to dry. The laundryman was a kind, wise old fellow, who paid his girls well, looked out for them, and gave them a good home. He told me once that his own daughter died just as she was getting old enough to help her mother, and that he had been ‘trying to make up for it ever since.’ On summer afternoons he used to sit for hours on the sidewalk in front of his laundry, his newspaper lying on his knee, watching his girls through the big open window while they ironed and talked in Danish. The clouds of white dust that blew up the street, the gusts of hot wind that withered his vegetable garden, never disturbed his calm. His droll expression seemed to say that he had found the secret of contentment. Morning and evening he drove about in his spring wagon, distributing freshly ironed clothes, and collecting bags of linen that cried out for his suds and sunny drying-lines. His girls never looked so pretty at the dances as they did standing by the ironing-board, or over the tubs, washing the fine pieces, their white arms and throats bare, their cheeks bright as the brightest wild roses, their gold hair moist with the steam or the heat and curling in little damp spirals about their ears. They had not learned much English, and were not so ambitious as Tony or Lena; but they were kind, simple girls and they were always happy. When one danced with them, one smelled their clean, freshly ironed clothes that had been put away with rosemary leaves from Mr. Jensen’s garden.
There were never girls enough to go round at those dances, but everyone wanted a turn with Tony and Lena.
Lena moved without exertion, rather indolently, and her hand often accented the rhythm softly on her partner’s shoulder. She smiled if one spoke to her, but seldom answered. The music seemed to put her into a soft, waking dream, and her violet-coloured eyes looked sleepily and confidingly at one from under her long lashes. When she sighed she exhaled a heavy perfume of sachet powder. To dance ‘Home, Sweet Home,’ with Lena was like coming in with the tide. She danced every dance like a waltz, and it was always the same waltz—the waltz of coming home to something, of inevitable, fated return. After a while one got restless under it, as one does under the heat of a soft, sultry summer day.
When you spun out into the floor with Tony, you didn’t return to anything. You set out every time upon a new adventure. I liked to schottische with her; she had so much spring and variety, and was always putting in new steps and slides. She taught me to dance against and around the hard-and-fast beat of the music. If, instead of going to the end of the railroad, old Mr. Shimerda had stayed in New York and picked up a living with his fiddle, how different Ántonia’s life might have been!
Ántonia often went to the dances with Larry Donovan, a passenger conductor who was a kind of professional ladies’ man, as we said. I remember how admiringly all the boys looked at her the night she first wore her velveteen dress, made like Mrs. Gardener’s black velvet. She was lovely to see, with her eyes shining, and her lips always a little parted when she danced. That constant, dark colour in her cheeks never changed.