He heard a sound of distress, and looking back, saw the barn cat, that had been left behind to pick up her living. She was standing inside the hedge, her jet black fur ruffled against the wet flakes, one paw lifted, mewing miserably. Claude went over and picked her up.
"What's the matter, Blackie? Mice getting scarce in the barn? Mahailey will say you are bad luck. Maybe you are, but you can't help it, can you?" He slipped her into his overcoat pocket. Later, when he was getting into his car, he tried to dislodge her and put her in a basket, but she clung to her nest in his pocket and dug her claws into the lining. He laughed. "Well, if you are bad luck, I guess you are going to stay right with me!"
She looked up at him with startled yellow eyes and did not even mew.
VI
Mrs. Wheeler was afraid that Claude might not find the old place comfortable, after having had a house of his own. She put her best rocking chair and a reading lamp in his bedroom. He often sat there all evening, shading his eyes with his hand, pretending to read. When he stayed downstairs after supper, his mother and Mahailey were grateful. Besides collecting war pictures, Mahailey now hunted through the old magazines in the attic for pictures of China. She had marked on her big kitchen calendar the day when Enid would arrive in Hong-Kong.
"Mr. Claude," she would say as she stood at the sink washing the supper dishes, "it's broad daylight over where Miss Enid is, ain't it? Cause the world's round, an' the old sun, he's a-shinin' over there for the yaller people."
From time to time, when they were working together, Mrs. Wheeler told Mahailey what she knew about the customs of the Chinese. The old woman had never had two impersonal interests at the same time before, and she scarcely knew what to do with them. She would murmur on, half to Claude and half to herself: "They ain't fightin' over there where Miss Enid is, is they? An' she won't have to wear their kind of clothes, cause she's a white woman. She won't let 'em kill their girl babies nor do such awful things like they always have, an' she won't let 'em pray to them stone iboles, cause they can't help 'em none. I 'spect Miss Enid'll do a heap of good, all the time."
Behind her diplomatic monologues, however, Mahailey had her own ideas, and she was greatly scandalized at Enid's departure. She was afraid people would say that Claude's wife had "run off an' lef' him," and in the Virginia mountains, where her social standards had been formed, a husband or wife thus deserted was the object of boisterous ridicule. She once stopped Mrs. Wheeler in a dark corner of the cellar to whisper, "Mr. Claude's wife ain't goin' to stay off there, like her sister, is she?"
If one of the Yoeder boys or Susie Dawson happened to be at the Wheelers' for dinner, Mahailey never failed to refer to Enid in a loud voice. "Mr. Claude's wife, she cuts her potatoes up raw in the pan an' fries 'em. She don't boil 'em first like I do. I know she's an awful good cook, I know she is." She felt that easy references to the absent wife made things look better.
Ernest Havel came to see Claude now, but not often. They both felt it would be indelicate to renew their former intimacy. Ernest still felt aggrieved about his beer, as if Enid had snatched the tankard from his lips with her own corrective hand. Like Leonard, he believed that Claude had made a bad bargain in matrimony; but instead of feeling sorry for him, Ernest wanted to see him convinced and punished. When he married Enid, Claude had been false to liberal principles, and it was only right that he should pay for his apostasy. The very first time he came to spend an evening at the Wheelers' after Claude came home to live, Ernest undertook to explain his objections to Prohibition. Claude shrugged his shoulders.