Victor shrugged. "That ass!" He beckoned the waiter to open another bottle and bring the coffee. "Well, it's your last chance to go nutting with me." He looked intently at Claude and lifted his glass. "To the future, and our next meeting!" When he put down his empty goblet he remarked, "I got a wire through today; I'm leaving tomorrow."
"For London?"
"For Verdun."
Claude took a quick breath. Verdun… the very sound of the name was grim, like the hollow roll of drums. Victor was going there tomorrow. Here one could take a train for Verdun, or thereabouts, as at home one took a train for Omaha. He felt more "over" than he had done before, and a little crackle of excitement went all through him. He tried to be careless:
"Then you won't get to London soon?"
"God knows," Victor answered gloomily. He looked up at the ceiling and began to whistle softly an engaging air. "Do you know that? It's something Maisie often plays; 'Roses of Picardy.' You won't know what a woman can be till you meet her, Wheeler."
"I hope I'll have that pleasure. I was wondering if you'd forgotten her for the moment. She doesn't object to these diversions?"
Victor lifted his eyebrows in the old haughty way. "Women don't require that sort of fidelity of the air service. Our engagements are too uncertain."
Half an hour later Victor had gone in quest of amorous adventure, and Claude was wandering alone in a brightly lighted street full of soldiers and sailors of all nations. There were black Senegalese, and Highlanders in kilts, and little lorry-drivers from Siam,—all moving slowly along between rows of cabarets and cinema theatres. The wide-spreading branches of the plane trees met overhead, shutting out the sky and roofing in the orange glare. The sidewalks were crowded with chairs and little tables, at which marines and soldiers sat drinking schnapps and cognac and coffee. From every doorway music-machines poured out jazz tunes and strident Sousa marches. The noise was stupefying. Out in the middle of the street a band of bareheaded girls, hardy and tough looking; were following a string of awkward Americans, running into them, elbowing them, asking for treats, crying, "You dance me Fausse-trot, Sammie?"
Claude stationed himself before a movie theatre, where the sign in electric lights read, "Amour, quand tu nous tiens!" and stood watching the people. In the stream that passed him, his eye lit upon two walking arm-in-arm, their hands clasped, talking eagerly and unconscious of the crowd,—different, he saw at once, from all the other strolling, affectionate couples.